Zen Delay Virtual v1.0.0 WiN
Team R2R | 19 April 2023 | 17.1 MB
PLATFORM: STANDALONE/VST2/VST3/x64
After the phenomena of the hardware FX unit Zen Delay, its virtual successor is now available.
Viewed 13437 By Music Producers & DJ´s.
After the phenomena of the hardware FX unit Zen Delay, its virtual successor is now available.
LCn Loudness Correct is your shortcut to loudness-normalized audio files targeted at any delivery platform you could ever think of. You can use LCn either as a native Pro Tools plug-in or as a stand-alone version with watch folder capability for automatic batch-normalization of multiple audio files. LCn is available for stereo or 5.1 surround – LC2n and LC6n respectively.
Our native LM1n Loudness Meter plug-in is an addition to a growing range of loudness and meter plug-ins, and provides you with the all-important basics in loudness metering, leaving only a small footprint on the screen. If you need to deliver content that complies with a certain broadcast standard, LM1n is your perfect solution, whether you work with audio or video and no matter what platform you need to deliver for. In short, you get max simplicity and great-sounding results that will not be rejected when you deliver content for broadcast.
Now you can have the very latest in native plug-ins to measure Loudness and True-Peak on mono, stereo or surround (LM6n) tracks in new versions of Pro Tools and other major DAWs. We’ve loaded the native LM2n & LM6n plug-ins with new dedicated settings, new viewing options, improved off-line measuring in Pro Tools – and a host of other new features. Of course they come with our innovative Radar Display, allowing you to capture the essence of your loudness landscape at a glance.
Now you can have the very latest in native plug-ins to measure Loudness and True-Peak on mono, stereo or surround (LM6n) tracks in new versions of Pro Tools and other major DAWs. We’ve loaded the native LM2n & LM6n plug-ins with new dedicated settings, new viewing options, improved off-line measuring in Pro Tools – and a host of other new features. Of course they come with our innovative Radar Display, allowing you to capture the essence of your loudness landscape at a glance.
The EQP-1A based on Classic Program Equalizer from the ’60s, original EQ is renowned for its unique ability to boost and cut the same frequencies simultaneously, thereby creating a resonant shelf, the EQP-1A faithfully models the overbuilt transformers and complex tube amplifiers of the original hardware. The MEQ-5 based on Classic Mid-Range Equalizer from the ’70s, with two bands of midrange boost and one band of midrange dip, the MEQ-5 gets the very best out of the «power region» where guitars and vocals can make or break a mix. The HLF-3C completes the Passive EQ Collection. This plug-in has 12 dB per octave low and high cut filters, providing broad retro-tonal sculpting or bygone-era special effects, without the inconvenience of insertion loss found with the unamplified passive hardware. Save time and avoid tedious manual workarounds with Passive EQ Collection plug-in designed from the ground up for fast, efficient work on mid/side, stereo and the objects, the beds (fixed channels) of immersive mixing environments.
Code Red is inspired by two versions of the classic, all tube, British console form the 1960s most closely associated with the sound of The Beatles. Preamps featured in two versions of the original console are accurately simulated using models based on the full circuit simulation. Console’s original, “Pop” and “Classic”, EQs had fixed characteristic frequencies and Qs. To make the plug-in more versatile, we made the EQ fully adjustable. While we were at it we added two more mid bands and a high pass filter for added functionality. Fear not, the original EQs are still available, as presets.