PPG Wave 3.V v2.0.0 WiN MAC

Team R2R | 07 September 2025 | WiN: 43.84MB | MAC: 84.33MB

Waldorf PPG Wave 3.V is the reincarnation of the legendary PPG Wave Synthesizer, which no doubt is considered one of the most respected high-end synthesizers of the 80s. Developed by Wolfgang Palm, this instrument is featured on countless records, and it inspired a whole generation of producers, composers and listeners. While back then it was your choice to spent your money either for a vehicle or the PPG, the new PPG Wave 3.V renders this breathtaking sonic character very affordable, comfortably to use for every VST or AU Host.

XRecode 3 v1.164 x64 WiN

P2P | 08 March 2025 | 32.1 MB

XRECODE3 is audio converter, which supports most of the common audio formats, such as mp3, wav, flac, dsd, etc. It also supports extracting audio file from most video files as well as Audio-CD grabbing. Command Line parameters are supported. Please visit Forum and Wiki for more information on how to use the program.

Material Comp v1.7.11 WiN

Team R2R | 07 September 2025 | 43.84 MB

..:: AAX, VST2, VST3, x64 ::..

A cutting-edge compressor that is equipped with ”DFP(Division of Force Processing)” a technology that VQ spent 3 years developing to thoroughly reproduce the nuances of an analog circuit. Mastering grade signal processing technology can be achieved with an extremely low CPU load. The internal processing is fully 64 bit and produces sounds with unbelievable transparency.

Hype v1.5.0 WiN

BUBBiX | 22 November 2024 | 53 MB

HYPE embodies high-end mixing hardware, offering dynamic processing tools for compression, harmonics, and stereo width adjustment. It transcends analog limits with over-the-top compression and groundbreaking harmonic overtones.

Distillerv1.0.0 WiN

MOCHA | 06 September 2025 | 3.5 MB

…: Distortion & Filters :…

Distiller Vst combines various types of distortions and filters. Filter cutoff and blend between two distortion types can be controlled by separate lfos. Distortion Filter Distiller – a distortion filter! Since gain of some early guitar amp was cranked up for the first time, distortion became an acknowledged tool for enhancing sound. And when a filter was added to an early subtractive synth, filtering became an indispensable way of carving timbre. Distiller equally focuses on these two pillars of sound creation as it combines over dozen types of distortion and a wide selection of filters. What makes it special and modern is the possibility to blend between two types of distortion and the fact that both the filter cutoff and the blend between distortion types can be controlled by separate LFOs. From removing unwanted frequencies to adding rich harmonics, from classic saturation to experimental wavetable distortion, from lo fi textures creation to contemporary bass sound design – Distiller does it all and much more!

1178 v1.5.6 WiN

TEAM R2R | 07 July 2025 | 52.6MB

PLATFORM: WiN64 – VST/VST3/AAX(MODiFiED)

Pulsar 1178 is an audio plug-in (VST/VST3/AU/AAX) that meticulously recreates the original 1178 hardware compressor in its tonal color and compression character, while adding several additional features, turning it into a very versatile compressor for tracking and mixing. A compressor that eats transients for breakfast, the 1178 is a rare and expensive legend of the recording studio, cleaner and more versatile than its older brother, the 1176. 1178 further than the original unit, adding all the features you would expect from a modern, versatile plug-in, including a full sidechain EQ for added control, an optional saturation stage for warmth and character, and precise metering.

Echorec v1.7.6 WiN

Team R2R | 07 July 2025 | 94.92 MB

The Echorec is a software emulation of the iconic echo/delay unit of the same name produced by the Italian brand Binson in the 1960s. The sound of this magnetic disk delay differs from the tape delays used at the time, and has largely contributed to the audio signature of many 70s bands: Pink Floyd, The Shadows, Jimmy Page etc. Vintage Echorec devices are known for their saturation, self-oscillation, and oversound, all shaping the music produced in the 70s. They are also, however, known to be fragile and difficult to maintain.