daOrgan features all of the controls found on the original B3 as well as a sophisticated rotary speaker simulation. These features have been incorporated into an easy-to-use interface, capable of producing a wide range of classic and modern organ sounds.
The HarpTime VST synthesizer was designed to reproduce the sound of the plucked folk harp, and uses an advanced physical modeling synthesis in which twelve strings are all individually modeled to allow true sympathetic resonances. The harp has a beautiful sound which is usable in very many musical styles (mediaeval period music, classical, folk, ambient, film music and ballads, for example). However, samples can only reproduce a limited, and somewhat ‘static’ snapshot of a particular real instrument being played. In comparison, physical modeling allowed us to build a VSTi which reproduces the characteristic of a variety of real harps, with more flexibility, control, and dynamics than a sample set will normally provide. HarpTime can reproduce the beautiful of the Celtic harp, as well as that of many similar types, such as Japanese (koto), Paraguayan and African harps.
Peti uses hybrid FM synthesis technology and was developed primarily to emulate the sounds of the Harmonium, a member of the Reed Organ family, which is also known as the “pump organ”. The Harmonium, in its smaller form, is widely used in north Indian music, and its full, sweet sound is often used in pop and rock music, but Peti is not limited to this instrument alone. Peti is also capable of emulating a wide variety of reed organ variants, and can model timbres which resemble the many instruments in this family, ranging from from accordions to pipe organs, and even the famous melodica often used in reggae dub music. Peti was designed to allow the user complete control over a simulated Bellows mechanism, with 11 different modes providing ‘automatic’ or ‘manual’ pumping, with appropriate modulation of the sound-generation engine’s parameters. It also features two separate ‘reed bank’ simulators, allowing it to create the widest possible range of reed organ timbres via its sophisticated hybrid-synthesis system. Peti’s sound engine is also capable of emulating other key features of the Harmonium, including the body resonance of the instrument itself, the noise of air in the bellows and chambers, a ‘musette’ tremolo feature, and ‘key coupling’, which traditionally allows a single note to trigger two voices.
DropZone is a drag and drop sampling instrument that is also equipped with a bank of samples, wavetables, REX grooves and multisamples. You can loop samples and sounds or play them “one shot,” triggered by a sequencer or MIDI controller. DropZone supports Wav, Aiff, Ogg, REX, and SFZ formats. Just took it from sonar, the samples that came with this are plain sick… hear it for urself…..
Combining power, elegance, control and unbeatable sounds – Rapture is one of the most exciting synthesizers to hit the market in years. Capable of producing rich, hypnotic and rhythmic basses, leads, and pads Rapture is perfect for performing and designing the modern synthesized sounds igniting today’s pop, dance, and electronic music. Rapture’s non-aliasing resampling engine sets a new standard for sound quality and produces pristine high-resolution sampling and playback. Its advanced modulation capabilities include over 40 Step Generators per patch, providing an intuitive interface for generating rhythmic sequences. The beautifully designed interface and extensive sound manipulation capabilities in Rapture make it the ultimate tool to ignite your tracks.
TAMPA2 is a effector, emulates AM radio sounds. Have you ever heard unknown sound when you select radio channel? Tampa2 emulates this fenomenum.
ARANAMI2 is a raging waves synthesizer. 2OSC, 2FIL, 2AMP, 6LFO and 2 DELAY genarate ARANAMI. ARANAMI2 has a 3 way structure, and you can create massive lead, deep pad, and so on.
