🎅 MaGeSY® R-EVOLUTiON™⭐⭐⭐

  • Violent MidSide EQ v1.2 VST WiN-VTX
    May 13th, 2016 ⚡
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    Violent MidSide EQ v1.2 VST WiN

    TEAM VTX | 13.05.2016 | 2.0 MB

    Using Violent Mid/Side Equalizer we can separate the sounds on the right and left side and the middle of the audio track, then we can change their tunes separatedly. Plugin is most useful for mastering, but it can be used as a traditional equalizer as well. On full frequency spectrum we can make changes in 7 different frequency range, and there’s also a low and a high pass filter.


    Viewed 7317 By Music Producers & DJ´s.

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  • AmbiHead v1.0 AAX VST2 WiN MAC-NeBULA
    May 11th, 2016 ⚡
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    AmbiHead v1.0 AU AAX VST WiN MAC

    TEAM NeBULA | 11.05.2016 | WiN: 14.8 MB | MAC: 29.9 MB

    Ambi Head is a professional plugin for converting ambisonic signals into 3D binaural audio. It allows manipulations of 3D scenes (rotations and control of spatial width) and contains HRTF filters specifically designed for immersive listening and accurate reproduction of B-format signals. Custom HRTF filters can be loaded via the integrated SOFA importer, letting users choose “custom heads” for personalized binaural rendering. An integrated Goniometer provides visual display of the binaural output (Lissajous display) giving meaningful insights into the scene spatial properties.


    Viewed 9647 By Music Producers & DJ´s.


  • Maximal v1.2.0 AU VST WiN MAC-R2R
    May 11th, 2016 ⚡
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    Maximal v1.2.0 AU VST WiN MAC

    Team R2R | 10 May 2016 | WiN: 3.1 MB | OSX: 7.2 MB

    Maximal is a maximising peak limiter that allows you to get the most out of your sound. Perfect for all kinds of studio use, from mixing and mastering, to single tracks and instuments. Using a lookahead brickwall peak limiter, along with a level automater, Maximal can make some headroom, and push your sounds loud.


    Viewed 8485 By Music Producers & DJ´s.


  • PLParEQ v2.24 VST WiN PROPER-ASSiGN
    May 10th, 2016 ⚡
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    PLParEQ v2.24 VST WiN

    TEAM ASSiGN | 15.07.2010 | 5 MB

    PLParEQ is a 10-band Phase-Linear Parametric Equalizer of the highest quality. Each filter may assume any of many different filter characteristics, and operate in either traditional phase-warping mode, or our phase-linear mode. It uses the same internal DSP core as all of our other high-end products. Audio streams are treated in either stereo or mono. Individual filters can be applied to either or both stereo channels, middle only, or side only.


    Viewed 6066 By Music Producers & DJ´s.

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    Tracktion v7.1.1 x86 x64 WiN MAC LiNUX

    Team R2R | 07 May 2016 | WiN: 25.7 MB | LiNUX: 8.4 MB | OSX: 14.3 MB

    The latest version of our powerful, single-screen music recording app is the largest upgrade we’ve ever offered. While maintaining the simplicity and immediacy of earlier versions, T7 provides a more dynamic interface with new features designed to save time and screen space. Innovative editing tools provide new ways to create, organize and manipulate audio, MIDI and step clips while new plugin search and automation features boost creativity and speed work flow.


    Viewed 13161 By Music Producers & DJ´s.


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    BFD 2 ORiGiNAL Audio Data Installer 2012 WiN

    KRock | January 29 2013 | 12.3 GB

    Fresh (2012) FXPansion BFD 2 ORiGiNAL Audio Data Installer available for download only inside of personal account on the site of developer after buying of product. Contents .DMG to unpack the full (55GB) library + bonus patch that fixes Sabian AAX Hihat samples in ambient mics problems. Differences between the BFD2 boxed version and the download version? The data in the download version has been reduced to 20-bit audio, whereas the boxed version contains 24-bit audio. The download version is only supported on Windows 7 and Mac OSX 10.5.8 or later, and is only compatible with Intel processors on Mac. How large is the download version? The download size is approx 14GB – this is uncompressed during installation resulting in a maximum installed size of approx 52GB. Why has the data been reduced to 20-bit for the download version? 20-bit audio offers a dynamic range of around 120dB. This is greater than the dynamic range of most professional-grade preamps/A-D converters, so there is no perceptible loss of audio quality. Any noise introduced due to the bit-reduction process is well below the analogue noise floor inherent in the recordings, and leads to much smaller downloads.


    Viewed 12526 By Music Producers & DJ´s.


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MaGeSY ® R-EVOLUTiON™⭐⭐⭐