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DNX-03 is a three-band stereo Compressor (win vst plugin) inspired by the analog models, with some added features such as noise reduction and wide stereo control for each individual freq-band. The DNX-03 is able to split the incoming signal into three frequency-bands using a 6dB per octave crossover. First-order filters are considered by many audiophiles to be ideal for crossovers. Each band is passed through a compressor and then through a stereo processor where compression,gain and stereo image can be altered and improved. The outputs of the compressors and processors are then re-combined and fed to the master output.
The BXO9 plugin is a workhorse plugin with over 100 playable HQ instruments ranging from 808s, Bass, Ambience, Makeshifts, Plucks, Pads and more. I bet at this point you’re probably thinking to yourself “great another rompler plugin” but I will explain and let you hear why the BXO9 is different. BXO9 offers a range of hand made craft sounds that have that realistic organic sound to them so when you are playing, you can hear and feel the vibrations, sparking those creative juices. With BXO9 you can select one sound, so for example I have selected a string sound from the strings category, I can now utilize the layer channels to sculpt and layer the selected sound into something completely different. The layer-able layers offer percussive elements with great play ability and harmonic values. These 4 layers consist of metallic, wooden, glass, and hit like textures that allow the user to sculpt a new sound from the selected sound. Even the 808s come with 4 layer-able 808’s that you can layer over the selected 808. I am confident you will enjoy using the BXO9 and use it time and time again. Check out the beat making video where I cook up a sick beat using the BXO9. You’re going to need this plugin.
Ephemere is a percussion synthesizer that includes twelve sound generation engines assigned to each note of an octave. The sounds are generated using FM synthesis and can be further sculpted using a multi mode filter and two simple yet flexible envelope generators. Ephemere makes it easy to add variety to your rhythmic patterns by attaching a randomization setting to most of the synthesis parameters as well as a trigger probability per sound. By keeping the synthesis engine simple yet powerful and providing extensive randomization options, Ephemere is an invaluable tool to very quickly design custom synthetic percussion sounds.
PHASIS offers timeless phasing sounds – adding movement, soul, and creative magic to any signal. PHASIS draws inspiration from classic phasers but adds powerful new features for never-heard-before results. For example, the Spread control changes the spacing of the phaser’s notches, for vocal-style effects. Ultra mode pushes modulation to ultra high rates, producing unique FM-esque tones. Though offering a lush, analog-inspired sound, reminiscent of some of the finest rackmount and pedal-housed phaser effects, PHASIS’ unique Spread control allows wah-wah and formant-style filtering effects, but with a highly distinct sonic flavour. Spread adjusts the density of peaks and notches in the spectrum, and whether set to a single value, controlled live or with automation, or flipped with the Invert button, Spread provides a fresh take on both phasing and vowel-filtering.
CHORAL takes sonic inspiration from some of the most prized chorus effects of the last 40 years – including iconic rack-mount and synth-based ‘unison’ effects. Add width, movement, sheen, and shimmer to any signal, or take advantage of an all-new feedback mode, Scatter. It avoids the unpleasant metallic quality of heavy feedback settings in traditional designs, instead creating an entirely new reverb-like effect. CHORAL has four sound modes, each with a distinct character. The unifying factor of all the classics that inspired CHORAL is that they featured little, if any, customization options. On, Off, and Type, were typically the only controls. CHORAL, on the other hand, offers many custom parameters. The number of chorus voices can be set progressively from one to three, the sync rate can be manually altered, as can the modulation rate, amount, mix, delay time, stereo width, and feedback (the latter offering an entirely new routing option, called Scatter).
FLAIR turns the classic flanger on its head. Not satisfied simply recreating vintage analog tape and pedal flanging effects – though it does both beautifully – FLAIR adds a revolutionary new Voices mode which uses multiple delay lines to create tuned harmonic flanging layers and resonances. It even features 24 chord settings, offering a variety of chords and note intervals. In addition to the revolutionary features on offer, FLAIR is capable of traditional lush tape and pedal-style flanging, offering all the parameters you would commonly expect, such as tempo-synced pitch modulation. Sound-enhancing features include Detune for offsetting the pitch of the flanging, Feedback for thickening the flanging (complete with adjustable damping control to roll off high frequencies and soften the effect at high feedback values), and Width, for creating stereo flanging.