Goliath 2 v1.5.0 WiN MAC

Team R2R | 2021.10.24 | WiN: 16.7MB | OSX: 56.8MB

PLATFORMS: WiN32/64 – VST/AAX | MacOSX – AU/VST/AAX

Goliath V2 features 4 Analog Modelled Processing chains featuring ALLOY (Nickel, Iron, Steel based Transformers), TUBE, TAPE & VINYL with a drive control plus a FET based envelope and a 3 band EQ. This is a truly revolutionary and “analog” sounding tool. Be prepared to be pleasantly surprised! What’s new ? Goliath, our top-selling plugin is back in a brand new avatar with a completely new sound engine and new features. This plugin now has 4 types of Saturation models – Alloy, Tube, Tape & Vinyl with Drive. We now use our Advanced DSP models featuring our own proprietary “Multi Convolution” & Component Modelling Technique to simulate “Real” hardware chains of analog gear. Additionally, the plugin now features a full FET compressor in its envelope section and a 3 band EQ plus a Low Cut Filter.

MiDi Quest 11 Pro v11.0.2 WiN

Team R2R | 2021.10.24 | 324.13 MB

Midi Quest, the multi-instrument MIDI editor/librarian, is available in three versions: Midi Quest, Midi Quest Pro, and Midi Quest Essentials to complement your studio’s requirements. Midi Quest supports over 700 of the most popular MIDI hardware and instruments from over 50 different manufacturers including Korg, Roland, Yamaha, Kurzweil, Alesis, Waldorf, Kawai, Akai, and E-mu.. You can store, organize, and edit banks and the individual patches, combinations, multis, performances, drums settings, and other SysEx data loaded from your MIDI hardware. Midi Quest is a true multi-instrument editor/librarian designed from the ground up to effectively support multiple MIDI ports, multiple manufacturers, and multiple MIDI devices – including multiples of the same hardware.

Level Magic v21.9.0 WiN

Team R2R | 2021.10.24 | 11 MB

 PLATFORM : WiN64 – VSTi/AAX(MODiFiED)

As a result of a joint engineering venture, Jünger Audio and Flux:: are pleased to announce Level Magic for the first time in a software format. Developed and enhanced over several years, the dynamic range processor principles developed by Jünger Audio enable level managing devices like compressors, AGC and limiters to be produced with exceptionally high audio quality, without coloration, pumping, breathing, distortion or modulation effects sometimes associated with this type of processors, in short, almost inaudible processing – with ease of use.

CR Plugins Bundle WiN MAC

TEAM R2R | 24 October 2021 | 7.05 GB

..:: AU, VST, VSTi, VST3, x64::..

OptoRED v1.1.0 WiN MAC

Team R2R | 2021.10.24 | WiN:7.9 MB | MAC:27.7 MB

PLATFORMS: WiN64 – VST3 | MacOSX – AU/VST3

OptoRED is a transparent Optical Attenuator (compressor) based on the classic American unit used on countless hit records. This is part of our new “Enhanced Classics” series. Compression is one of the most important tools in the arsenal of an Engineer, Music Producer & Artist alike. This is now a device that far surpasses its original intent which was to control the level of the sound automatically. Today we use different types of compressors for inducing a “Vibe” & “Feel” to our instruments, percussion, drums, and voice. Digital and Analog Compressors have come a long way, but some classics are still preferred even today because they are now as much a part of a genre or musical style that they are now deemed as musical instruments in their own right.

Dancida v1.0 VSTi x86 WiN

TEAM VTX | 29.05.2010 | 5.54 MB

Dancida is a vintage based synth with the new sounds of todays dance music. Dancida comes packed with new sounds that resemble classic analog sounds. A true inspirational synth for your collection. Dancida includes 128 presets that are sure to start your tracks off aswell as being fully editable.

REDDI v1.0.3 WiN

Team R2R | 24 Sep 2021 | 10.4MB

..:: VST, VST3, AAX, x64 ::..

The original hardware REDDI is a legend among professional session players and commercial studio owners. Its hybrid tube/solid state gain circuits, beefy transformer, and oversized power supply have an uncanny ability to both reign in bass transients and punch them up. Without any eq – simply through its gentle tube shimmer – REDDI gets bass, synths, and guitars to ’sit’ in the mix with less processing and fuss. The REDDI plugin, then, is designed to be used as any analog DI would: first in the chain, as an initial treatment before compression, saturation or eq – imparting its unique tube sweetness to any instrument in your mix.