The magic behind some of the most iconic tones of all time in genres like Death Metal, Deathcore, Grindcore, and Modern Metal. Transcend complexity with the Faux-Tin 808’s user-friendly interface. The dedicated Faux-Tin 808 has a number of added features compared to the version in The King plugin.
The spectral reverb that shapes space, time and texture. Go beyond conventional convolution reverbs and enter a realm of lush, evolving, cinematic soundscapes. Craft long, dense textures with unparalleled clarity and mystery.
EPs Cascade is based on highly esoteric vintage components combined in a truly unique circuitry. It is anything but your typical audio processor. EPs Cascade is an amazing toolbox which will open the world for creating the most interesting sound flavors. The beauty of this approach is that it did not have to follow any rules at all. EPs Cascade uses very interesting NOS (New Old Stock) components which are everything but standard in audio applications, and the novel circuitry is a creative celebration of its own. All in all, this gives you the perfect basis for creating truly wonderful, new and unheard sounds. Now you can spice up virtual and natural instruments at ease, transmuting standard sounds with all kinds of gritty, organic and aged flavours. There are no right or wrong settings: Saturation, harmonics, distortion, colouration, filtering, interaction, anything goes, and experimenting is as much encouraged as it is rewarding.
What if we told you that you only need one single knob to get a great heavy guitar tone? And what if we told you that you will experience responsiveness and realism previously unheard in a plug-in? With the new AmpKnob RevC, this is becoming a reality. Plug in, rock out and immediately start recording bone-crushing guitars without anything to distract your creativity.
Unleash the authentic warmth of analog tape with TapeZoo, a passive tape coloration plugin engineered to deliver rich harmonic textures and dynamic depth without the need for active electronics or power sources.
Ample Slide Lapsteel is sampled on a 70’s Jedson Lap Steel (David Gilmour Custom Model with one EMG pickup)
BLEASS Tides washes away the dry, uninspiring echoes of conventional delay processors with wave after wave of richly characterful reflections. The plugin’s fluid approach to delay processing means delay times can be altered without the unpleasant warping results produced by other delay processors, with the option of a controlled tape-like timing shift, or a simple crossfade between differently timed delays. Better still, with an enhanced modulation system provided by BLEASS’ latest plugin technology, you can take full advantage of this delay time fluidity with stereo LFOs, envelope followers and macro controllers that allow you to explore new horizons of exciting delay effects. There’s more to creating unique and enthralling delay lines than timing alone, and so BLEASS Tides provides many different ways of shaping and adding character to its repeats. An input filter combining low- and high-pass resonant bands allows you to easily mould the incoming signal and thereby sculpt the resulting echoes. Then, for even deeper and more exhilarating shaping, Tides’ feedback path features five insert points into which any of 11 different effect processors can be loaded. These include distortions, filters, pitch and frequency shifting, ring modulation, and even an additional delay processor, all of which can be brought to life with the plugin’s stereo modulators.
