HY-MBMFX v1.1.5.6 WiN MAC

Team R2R | Jan 08 2018 | WiN: 5.3 MB | OSX 4.2 MB

Multiband multi FX plugin

AU/VST/VST3/x86/x64

Genius Pack v1.1.0 WiN

Team R2R | 03 Jan 2018 | 11.9 MB

PLATFORM : WiN32/64 – VST/VST3/AAX(MODiFiED)

Genius Pack, the first release in its new ART (Analog Rendering Technology) series. The pack features a collection of 3 unique equalizers in two convenient plugins: The Genius 8K and the Genius 2735. Genius 8K is true to the original 8kHz boost EQ it is inspired from, providing up to 10dB of high-mid frequency boost in 2dB increments. Genius 2735 is our flawless reproduction of two complementary EQ’s inside a single interface, providing you with both the transformer-based and transformerless models of the original EQ.

POWAIR v1.0.0 WiN

Team R2R | Happy New Year | 6.6 MB

PLATFORM : WiN32/64 – VST/VST3/AAX(MODiFiED)

POWAIR was designed to be a smarter, more natural sounding compressor. It’s a dual-stage loudness leveler / compressor / limiter powered by a novel, proprietary compression engine which provides greater transparency and control than ever before. The first stage is a K-weighted loudness leveler, perfect for leveling a voice-over or auto-adjusting the level of different pieces of music. In its second compression stage, POWAIR uses an innovative gain detection and reduction engine, capable of fast gain changes with minimal distortion and adaptive response to the source.

VSS3 Native v1.1.0 WiN

Team R2R | Happy New Year | 8.8 MB

PLATFORM : WiN32/64 – VST/VST3/AAX(MODiFiED)

VSS3 is the most professional tool of its kind, the Stereo Source Reverb behind tens of thousands of films, TV shows, albums and unforgettable tracks.

EQ4000 v1.0.0 WiN MAC LiNUX

Team R2R | Happy New Year | WiN: 3.2 MB | OSX: 8.3 MB | LiNUX: 6.1 MB

AU/VST/VST3/AAX*

OverTone DSP has released their new EQ4000 E-Series Console EQ plug-in for Windows, Mac and Linux, based on the E-Series channel EQ processing from one of the best-known British recording consoles. EQ4000 comprises high frequency, high-mid, low-mid and low frequency sections The low and high frequency sections are independently configurable for ‘bell’ or ‘shelf’ modes while the mid sections provide fully parametric equalization with variable gain, frequency and Q. The plug-in emulates both the earlier ‘Brown’ (02) and later ‘Black’ (242) versions of the original 4000 E-Series hardware, as indicated by the low frequency control knob colour, while cross-linking between each mid section and its corresponding low or high frequency shelf / bell filter emulates the characteristic control interaction of the original design. DSP technology accurately models the analogue filter response without requiring CPU intensive oversampling, thereby avoiding additional latency, or other undesirable side-effects while being economical with system resources.

VintageWarmer2 v2.7.3 WiN

Team R2R | Happy New Year | 22.3 MB

WiN32/64 – VST/VST3/AAX(MODiFiED)

VintageWarmer2 is a high-quality digital simulation of an analog-style, a single- or multi-band compressor/limiter. It combines rich, warm analog processing with a straightforward user interface, and comes with a comprehensive library of presets. The plug-in processor is highly flexible and can be used for both softknee compression and brick-wall limiting. This makes it an essential tool for mixing and mastering engineers. Careful attention has been paid to Vintage Warmer’s overload characteristics with the processor being capable of generating saturation effects typical of analog tape recorders. Vintage Warmer also incorporates professional VU and PPM metering together with accurate overload indicators thereby assuring professional quality results.

Outer Space v1.1.0 WiN MAC

Team R2R | 25 Dec 2017 | WiN: 15.1 MB | OSX: 87.8 MB

VST VST3 AAX x86 x64

Outer Space is a faithful emulation plugin of a famous vintage tape echo made in the early seventies. As the original unit, Outer Space features a tape echo section with three playback heads and a spring reverb tank. We have modelled three different tape frequency responses and saturations, along with all the analog imperfections of tape recording/playback. We’ve also modelled the ballistic response of the delay rate (repeat rate) which can create eerie pitch shifts (due to the Doppler effect), one of the classic tape echo-based sound effects