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A natural sounding reverb based on the concept of a room simulator. Protoverb is an experimental researchware plug-in, developed to aid our research. Download and use it for free.
TDR VOS SlickEQ – Gentleman’s Edition takes SlickEQ‘s concept to new heights and adds an exotic “Tilt”-filter flanked by flexible low-pass and high-pass filters. Five distinct EQ models provide a rich set of predefined EQ curves and behaviours for the three main semi parametric filter bands. SlickEQ GE offers a switchable EQ non-linearity and seven different output stages. These options offer subtle and interesting textures, from the typical “mojo” often associated with high quality analogue audio gear, up to more obvious saturation.
A cutting-edge compressor that is equipped with ”DFP(Division of Force Processing)” a technology that VQ spent 3 years developing to thoroughly reproduce the nuances of an analog circuit. Mastering grade signal processing technology can be achieved with an extremely low CPU load. The internal processing is fully 64 bit and produces sounds with unbelievable transparency.
OptoRED is a transparent Optical Attenuator (compressor) based on the classic American unit used on countless hit records. This is part of our new “Enhanced Classics” series. Compression is one of the most important tools in the arsenal of an Engineer, Music Producer & Artist alike. This is now a device that far surpasses its original intent which was to control the level of the sound automatically. Today we use different types of compressors for inducing a “Vibe” & “Feel” to our instruments, percussion, drums, and voice. Digital and Analog Compressors have come a long way, but some classics are still preferred even today because they are now as much a part of a genre or musical style that they are now deemed as musical instruments in their own right.
The original hardware REDDI is a legend among professional session players and commercial studio owners. Its hybrid tube/solid state gain circuits, beefy transformer, and oversized power supply have an uncanny ability to both reign in bass transients and punch them up. Without any eq – simply through its gentle tube shimmer – REDDI gets bass, synths, and guitars to ’sit’ in the mix with less processing and fuss. The REDDI plugin, then, is designed to be used as any analog DI would: first in the chain, as an initial treatment before compression, saturation or eq – imparting its unique tube sweetness to any instrument in your mix.
