Do you ever play classic records and think “That. Sounds. GREAT! How do I get that 60s (or 70/80/90s) vibe in my track?” With Finisher RETRO, it’s easy. Our experts have done the hard work and captured the classic reverbs, delays, flangers, tubes, tape hiss and magic for you. Just load RETRO and go!
Finisher FLUXX, the third addition to its series of virtual multi-effects. You may call this plug-in the evil genius of creative FX. It’s designed to bring dead sounds back to life. The Finisher concept combines a handful of macro controls controlling 50 different hyper complex multi-effect chains (called Modes) under the hood. It features 4 individual macro controls per Mode, each controlling a separate sound aspect, making FLUXX an intuitive and fail-proof tool for sound designers and music producers to deconstruct, transform and animate their sounds.
You’ve heard the EQ4 on the vocals of artists ranging from Madonna to Celine Dion, and from the Black Eyed Peas to Snoop Dogg. Now you can have this legendary EQ right inside your DAW. The EQ4’s unique design allows for exceptionally low phase shift across all EQ adjustments, which helps maintain the integrity of your mix’s original sound while enhancing the “Airy” frequencies. The AIR BAND® interacts with the 5 band pass EQs to tonally sculpt your tracks from top to bottom with unrivaled transparency and top end presence. The EQ4 is a musical EQ, not a surgical EQ, making it ideal for sweetening tracks. Add it to your vocal tracks to hear why top audio engineers who have access to every EQ ever made demand the EQ4 for vocals.
Whether you’re a producer on the go or in your bedroom, your setup is always evolving. But in every setup, one thing stays constant: your laptop keyboard. What if, your laptop keyboard could transform into a powerful rhythm machine? Well, no more tedious sequencing—perform striking rhythms by switching between patterns, on the fly using just your laptop keyboard.
DIVA – Dinosaur Impersonating Virtual Analogue Synthesizer. The oscillators, filters and envelopes closely model components found in some of the great monophonic and polyphonic synthesizers of yesteryear. Modules can be mixed and matched so you can build hybrids, but what sets DIVA apart is the sheer authenticity of the analogue sound. This comes at the cost of quite a high CPU-hit, but we think it was worth it: Diva is the first native software synth that applies methods from industrial circuit simulators (e.g. PSpice) in realtime. The behaviour of zero-delay-feedback filters when pushed to the limit clearly demonstrates the advantages of this groundbreaking approach.
Finisher FLUXX, the third addition to its series of virtual multi-effects. You may call this plug-in the evil genius of creative FX. It’s designed to bring dead sounds back to life. The Finisher concept combines a handful of macro controls controlling 50 different hyper complex multi-effect chains (called Modes) under the hood. It features 4 individual macro controls per Mode, each controlling a separate sound aspect, making FLUXX an intuitive and fail-proof tool for sound designers and music producers to deconstruct, transform and animate their sounds.
