Reviver creates harmonic distortion, a sound which is often connected to vintage gear. It does not emulate analog equipment, but instead gives the user full control of overtone generation and volume. Despite this high level of controllability, Reviver’s user interface is intuitive and provides the desired result after just a few mouse clicks.
CamelSpace is a rhythmic multi-effect that adds dynamic interest to pads, drums and just about anything else. It features a powerful 128 step ‘trance gate’, routable to cutoff, pan and volume, an auto-panner, exciter, flanger, multi-mode filter, stereo delay, reverb and more.
It’s the advanced native Win and OSX compatible version of the famous REFLEXfree.
REFLEX+ is capable of generating huge spaces, short rooms, or chorus like modulations through a cascade of regenerating delays. It’s sound is a mixture of straight stereo delays followed by a dense cloud of reflections. It achieves a huge and spacey wideness with a decent amount of the two modulation sources.
It’s the advanced native Win and OSX compatible version of the famous REFLEXfree.
REFLEX+ is capable of generating huge spaces, short rooms, or chorus like modulations through a cascade of regenerating delays. It’s sound is a mixture of straight stereo delays followed by a dense cloud of reflections. It achieves a huge and spacey wideness with a decent amount of the two modulation sources.
The L-Normalizer is an affordable, cross-platform loudness normalizing tool. This particular application can be very useful and helpful for audio engineers working in post production and broadcasting environments. The major two steps of the workflow consists in analyzing the audio material and rendering an improved one. If you choose to normalize your material, you can pick between program loudness or short term loudness if your materials are shorter than 30 seconds. Also, a True Peak Limiter is available with variable knee width, release time and true peak.
ALM 5.1 is designed as a key component in your mixing workflow. Based on the new ITU, EBU and ATSC loudness standards, the plugin offers you full Loudness and True Peak Metering for Mono, Stereo and 5.1 channel formats featuring measurements for Momentary, Short Term and Integrated Loudness, with Loudness Range and Max True Peak Level. Wheter your want to target the loudness (-23 LUFS,according to EBU specification, or -24 LUFS, according to ATSC specification) or you want to use the relative gate of -10 LU, ALM 5.1 is all you need to control the loudness of your audio material. Both LU and LUFS scales are available, also, you can set the start and the stop of your measurements or you can simply let the plugin do it by following the host transport.
Audio Loudness Meter Extended 5.1 – Standalone, Audio Loudness and True Peak Meter application, with extended features BS1770 and EBU R128 compliant. Taking the idea behind the ALM 5.1 plugin a step further, we developed a standalone application, with extended features, that offers more control and power, allowing you to use it in more complex situations: the ALMx 5.1 (stands for Audio Loudness and True Peak Meter with extended features). The application was created as an aid for the television networks and media services providers. Recommendations regarding loudness levels exists in many countries, some of them have already implemented the standards as law, while others are in the legislative process. Just like the ALM 5.1 plugin, the driving forces behind the application are the algorithms developed according to the international broadcast standards (BS-1770, EBU R128, ATSC A/85), based on research and perception tests.
