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  • sideGATE MK I v1.0 VST WiN-NEMESiS
    July 23rd, 2014 ⚡
    Categories: VST, Whitelabel, WiNDOWS


    sideGATE MK I v1.0 VST WiN

    Team NEMESiS | 24/06/2008 | 1.69 MB

    sideGATE : lookahead flexigate with virtual sidechain input

    Mono || Stereo || Dual Mono || ‘just-in-time’ mode

    Voice Production : Use sideGATE as a lookahead noise-gate when for example, you have a presenter speaking against background noise. Normal gating would result in a bump in background noise as the presenter speaks and the gate opens, but with sideGATE’s lookahead feature, the background noise can be gently faded in before the presenter speaks creating a smoother, less objectionable sound. Music Production : When the sidechain is higher than the threshhold, the channel is audible, when lower, gated – just the sort of functionality needed to gate a reverb according to the level of a snare drum, a synth according to a hi-hat, a bass according to a bass drum and so on. sideGATE can also be used to alter the attack of a sound (soften a solo electric guitar making it feel like a lap steel) and its panned outputs can be used to create a situation where the position of a sound in the stereo field is switched according to its volume.

    Viewed 11418 By Music Producers.

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    • SKWOSH v1.0 VST WiN-ASSiGN
      July 18th, 2014 ⚡
      Categories: VST, Whitelabel, WiNDOWS


      SKWOSH v1.0 VST WiN

      TEAM ASSiGN | 02 FEBRUARY 2011 | 6.06 MB

      versatile compressor offering 4 main modes

      SKWOSH, is a versatile compressor offering 4 main modes of hard and soft; compression and signal-boosting. Envelope following comes in a choice of peak or 2 RMS modes with optional peak-hold and simple or complex follow modes. The sidechain can be either internal (1&2) for regular stereo operation, or external; (3&4) for keyed operation. The sidechain filter offers high, low and band-pass with upto 4 poles for a maximum response or 24dB/octave. There is of course a monitoring switch to hear the filtering applied to the sidechain signal too. Various lookahead options are also on-board – a choice of set times with half, double and match modes relative to attack time. And to spice things up – SKWOSH sports 2 distortion algorithms for adding static or dynamic distortion depending on the level of input, and the gain reduction currently applied. To finish things off, the output (NY) mix control allows you to create the perfect balance between original and compressed signals, whilst the dual (input and output) flip switches make configuration a breeze.

      Viewed 3603 By Music Producers.

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      • Monolow v1.0 VST WiN-Peace Out
        July 17th, 2014 ⚡
        Categories: VST, Whitelabel, WiNDOWS


        Monolow v1.0 VST WiN-Peace Out

        TEAM Peace Out | 29.04.2009 | 6,19 MB

        monoLOW : low band conformance machine. monoLOW is just about the simplest tool going. The lower its frequency, the more a sound loses its directionality, so it sometimes makes little sense for frequencies below a certain point to be spread accross a stereo mix – a stereo bottom-end can cause a loss of focus.

        Viewed 3741 By Music Producers.

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        • Whitelabel Companion v 1.0 VST WiN-peace-out
          July 16th, 2014 ⚡
          Categories: VST, Whitelabel, WiNDOWS


          Whitelabel Companion v 1.0 VST WiN

          TEAM peace-out | 29.04.2009 | 7.1 MB

          comPANION : 4 stage graphic compander. 3 modes || sidechains || ‘NY’ mix control. comPANION, is a compressor / expander / dynamics tool with graphic envelopes. Redraw the dynamic of your source by dragging on the screens to create the desired shape.

          Viewed 3680 By Music Producers.

          • simpleTON VST v1.1 WiN-ASSiGN
            April 18th, 2014 ⚡
            Categories: VST, Whitelabel, WiNDOWS


            simpleTON VST v1.1 WiN-ASSiGN

            ASSiGN | 2.02.2011 | 4.8 MB

            Simple and powerful – why isn’t it in my DAW by default ? All I needed was a high pass, followed by a low pass, a bit of drive and a mix control, but could I find it in one plugin ? NO. So now its grown up and gained a few more tweaks here and there including an additional more aggressive filter mode, and the ability to adjust the distortion contour. It’s still simple, but its even more lovely now …

            Viewed 3067 By Music Producers.

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            • whiteLABEL d:SHIFT v1.0 VST WiN RETAiL
              January 25th, 2014 ⚡
              Categories: VST, Whitelabel, WiNDOWS


              whiteLABEL d:SHIFT v1.0 VST WiN RETAiL

              HY2ROG3N | WiN | VST | x86 | 6.22 MB

              A stereo pitch-shifter piles head-long into an echo box with filters bit-crusher and waveshaper. To pour acid in the wounds : modulators attack both pitch and delay time. “This oh-so desirable effect combines pitchshifting and delay to produce lush choruses, swirling echoes and some dynamite vocal doubling” With delay times ranging from 2 milliseconds right the way up to five seconds, the feedback path is the most important part of this effect … that’s where you’ll find a pitch-shifter, a bit-crusher, a wave-shaper and a shelving filter. A wide variety of effects can be generated from subtle chorus-type sounds to nasty smashed-up swooping loops, clean slap-delays to evil bad-guy voice effects.

              Viewed 4724 By Music Producers.

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