The Audio Damage 914 Fixed Filter Bank is a faithful recreation of the Moog Modular Synthesizer’s 914 module, and a major upgrade to our original 907A plugin. This plugin creates unique filter textures by passing the signal through twelve band-pass filters, as well as a low-pass and high-pass filter.
These are the Plate Reverb and Stereo Room reverbs from the Reverb 2016 triple-reverb set; ported to VST (for Windows only). They look and sound the same as the Digidesign Pro Tools plug-in.
Resound is a software audio delay effect processor that emulates the sound and operation of vintage magnetic-tape echo units. Whilst not a direct copy of any one particular model, it takes features from several of the classic delay devices, and unites them into a convincing and pleasingly retro sounding effect. Resound not only models the characteristic mechanical noise present in hardware magnetic-tape units, but also allows the noise to be controlled; from gentle warmth and distortion, to noisy, gritty, and unstable. The sound can be shaped further using the moveable highpass filter. And with feedback set beyond a certain intensity, Resound is even capable of self-oscillation.
Resound’s echoes can either be synced to the host tempo (expressing delay times as musical subdivisions of a beat, each echo will be exactly in time with the host) or in free-time mode (allowing any delay time, up to 2 seconds.) The reverse mode adds further flexibility: by playing each delay backwards, Resound can produce unique effects beyond what hardware magnetic-tape units are capable of.
Manifold is a software audio effect processor that enhances an audio signal, producing a fuller, livelier, bigger sound. Input signals are split into as many as 20 individual voices, each of which are detuned, placed around the stereo panorama, and recombined with stunning results. Flexible controls mean Manifold is capable of producing a wide range of effects; from subtle modulations that add interest to lifeless sounds, to extreme detuning that fattens the weakest of input sources.
BOUNCE is a transparent yet versatile compressor that can do subtle compression to full thrusting and punchy sounds. Featuring a Detection Section, where you can select the frequency band (range) which you can feed back into the compressor to create the desired shape of your sound. Works great on anything from Drums, Bass, Synths, Vocals, Percussion, Guitars and Acoustic Instruments to the entire Mix and also great for Mastering Audio.
Bus-Driver is an optical compressor that provides a wide range of compression effects, reminiscent of the best vintage compressors made in the ‘60s. Compression is one of those studio processes that is all too often taken for granted and not usually used to its full potential. Today’s producers think nothing of inserting compressors on every single channel of their DAW when mixing, but old school engineers had to learn to make the most of only a few units of compression and this made them learn them inside out to use them to their best advantage. Bus Driver is modelled on the classics from the ‘golden age’ of tube compressors.
Virtual Guitarist® IRON is your trusted session guitarist in a box. When it comes to playing authentic riffs and power chords Virtual Guitarist IRON puts you in the producer’s seat and follows your instructions. Equipped with 100 styles, over 1100 phrases, multiple amps and effects, VG-IRON makes laying down authentic guitar tracks a breeze. Not playing the guitar has never been so much fun.
