SideKick Extended 6 is the easiest, yet most comprehensive side-chain compressor that works in your VST and/or AU compatible host on Mac and Windows. With Side chaining you change the volume from one sound by the volume of another sound. It is most commonly used to duck (bass) sounds on each kick punch. Creating room in your mix for maximum fatness.
Outer Space is a faithful emulation plugin of a famous vintage tape echo made in the early seventies. As the original unit, Outer Space features a tape echo section with three playback heads and a spring reverb tank. We have modelled three different tape frequency responses and saturations, along with all the analog imperfections of tape recording/playback. We’ve also modelled the ballistic response of the delay rate (repeat rate) which can create eerie pitch shifts (due to the Doppler effect), one of the classic tape echo-based sound effects
miniBit is a 8-bit/chiptune style synthesizer that emulates the sound of 80s game consoles and retrocomputers. It features a main oscillator with 12 waveforms paired with a sub oscillator (a square wave pitched one octave below). The waveforms are not bandlimited and will produce aliasing. Furthermore, using the built-in bitcrusher, you can create even more noisy and retro sounds.
élastiqueAAX is time and pitch manipulation plugin for Pro Tools. It uses the élastiquePro V3 time-stretching and pitch shifting engine which is integrated in numerous DAWs and satisfies millions of users around the world. This ensures the highest, program independent time-stretching/pitch-shifting quality. The plugin interface has been designed to allow quick and intuitive interaction with all parameters for maximum control. élastiqueAAX is an offline Audio Suite plugin, therefore allowing to apply time-stretching and pitch-shifting much faster than real-time.
Destructor is a powerful distortion and amp sim modeling tool capable of simulating any kind of distortion: from harsh digital destruction to smooth compression or guitar amp simulation (works for clean tones too.), and most importantly, yours. It is delivered with hundreds of presets and predefined models, either inspired by existing gear (guitar & bass amps or cabinets, compressors, pedals, tape machines…) or created by our destructive minds. But the plug-in is not limited to these predefined models: all parameters of existing presets are fully editable, which gives you access to an unlimited number of distortion simulations – no need to purchase extra presets or amp models to build your custom tone. Based on a perceptual model rather than on electronic designs or impulse responses, the signal chain is reduced to its bare minimum, simplifying the process of tweaking the tone and making it fit into the mix.
The X50 is a digital emulation of a famous US guitar amp. Because two almost similar amps were made both red channels are modeled. The green channel is modeled after the first amp.
gEQ12 is 12 band stereo/MS graphic equalizer with accurate spectrum analyzer and minimum/linear phase modes. Today’s mixing and mastering processes require a full featured but easy to use equalizer which can accurately shape the tone of a track , bus or master track. eEQ12 provides all necessary tools in one package paired with some unique features. The display shows the spectrum curve of incoming and outgoing signal. gEQ12 has the unique feature that the outgoing spectrum is directly calculated from incoming spectrum (incoming spectrum – filter curve = outgoing spectrum). This allows you to capture the incoming signal, to freeze it and to modify then the filter curve based on the altered outgoing spectrum. The filter response is controlled by 12 individual filter bands. Each filter band has its own display handle, which can be adjusted by mouse.
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