Vac Attack is an analog-modeled optical limiter plugin that’s intended to control the dynamics of individual tracks and groups. The vacuum tube saturation circuit introduces harmonically-rich warmth and character to vocals, drums, basses, and your stereo bus.
Vac Attack is an analog-modeled optical limiter plugin that’s intended to control the dynamics of individual tracks and groups. The vacuum tube saturation circuit introduces harmonically-rich warmth and character to vocals, drums, basses, and your stereo bus.
FinalPlug combines a lookahead peak limiter with ITU BS.1770 loudness metering. FinalPlug can be used as an insert effect, providing limiting for gain staging or volume maximization, or can be placed at the end of your mastering chain to guarantee your audio meets loudness and true peak delivery requirements. The FinalPlug interface could hardly be simpler. When used as a loudness maximizer, select a desired output ceiling level, say -0.1 dB, and then adjust the threshold level. As you decrease the threshold you increase the volume.
BLEASS Granulizer is a granular texture effect plugin with randomization, 4 multi-bus audio inputs and a mesmerizing 3D visualizer. BLEASS Granulizer generates short samples (‘grains’) from different input signals by modulating different parameters which you can visualize thanks to a 3D Visualizer. The Input Stage allows you to choose between a low-shelf or high-pass filter (to filter out the bass frequencies from input) as well as a gain adjustement. BLEASS Granulizer takes up to 4 sources from different busses as inputs (compatible DAW required). When multiple busses are on, each grain is randomly extracted from one of the available sources.
A passive tube EQ that’s clean and precise enough for modern mastering. Passive tube EQs have long been praised for offering tremendous color and warmth. Their broad boosts and cuts and inherent saturation makes them a favorite option for overall tonal shaping. Knif Audio’s boutique Soma EQ updates the passive tube EQ approach by offering a cleaner, more flexible tone, as well as more precise EQ adjustments to meet the demands of contemporary mastering engineers. The first passive tube EQ with “Real Q Adjustment” taking out the guesswork Despite their wonderful sound, old school passive EQs have their shortcomings as well. Changing the bandwidth control on a conventional passive EQ will cause you to inadvertently increase or reduce the amount of boost or cut you are applying, leading to unexpected changes in your EQ curve. The Soma EQ finally solves this problem by adding “Real Q Adjustment”. A first in the world of passive tube EQs, it allows for much more predictability and precision than any other EQ of its type.
Thorn is a software synthesizer that was designed to be easy to use and deliver awesome sound. In Thorn, being simple means to be straightforward and provide advanced sonic control at the same time. Intuitive workflow, high quality processing modules, light on the CPU, Thorn is ready to be put at the heart of your mix, in any genre of modern electronic music production.
Dialog combines in one plug-in all the processing needed to clean up, adjust, and sweeten recordings of the spoken voice. It is perfect for voice-over, film/tv recordings on location or sound stage, and broadcast. Dialog includes brickwall filters, de-hum and de-buzz processing, broadband noise reduction, de-ploding, de-essing, 10-band equalization, compression, and limiting. Separate presets for each section allow you to get results fast. The brickwall filters have variable rolloff slopes and can be used to cutoff low or high frequency ranges. The de-hum processor uses notch filters to eliminate 10 harmonics of either 50 Hz or 60 Hz hum. The de-buzz processor squelches nasty line frequency buzzes. The de-noise processor is the stellar sounding MR Noise algorithm with a simplified interface. De-plode and de-ess are custom processors; use de-plode to tame plosive sounds and use de-ess to adjust the amount of sibiliants. The EQ section is the powerful and easy to use TrackPlug equalizer, with 10 bands of equalization, 11 different filter types to choose from, and a variety of presets. The compressor is the TrackPlug Vintage compressor, with presets tailored to voice processing.
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