Synthx V captures the multitimbral magnificence and dual-layer architecture of the fabled Elka Synthex in unprecedented detail. Elevated with advanced drag-and-drop modulation, effects and expressive keyboard controls – discover the ultimate tool for rich, symphonic analog sounds.
Virtual synthesizer is used by thousands of professional musicians all over the world.
Silk is a virtual analogue synthesizer plugin dedicated to a single waveform: The sawtooth, which is among the most used and common waveforms to create sounds with subtractive analog and virtual analog synthesis. Silk has got two sawtooth oscillators which each generate an unison sound of 7 combined voices. These parts in this “multisaw” can be spead and blended in, leading to a very rich airy and bright sound with lots of interesting harmonics. An additional noise oscillator can add some dirt. These oscillators build the sonic heart of Silk. This sound is then shaped by the filter. In addition to the classic low, high and bandpass filters often used in subtractive synthesis, Silk has also got a formant filter which produces voice-like sounds. Combined with a flexible modulation matrix, a creamy chorus, stereo delay and reverb effect, Silk has got sounds that can be used in all types of electronic music.
PlastiCZ sounds different. With two phase-morph oscillators and AM you can coax completely new sounds from PlastiCZ. PlastiCZ has a simple and clearly arranged user interface, the individual modules are differently coloured from each other and all parameters are always accessible. Ten insert-effects give that certain extra to the sounds and offers further possibilities for extravagant sounds.
A year and a half in the making! The long-awaited and often requested Cherry Audio Chroma synthesizer is a virtual instrument that brings back the spirit and sounds of the iconic Rhodes Chroma polyphonic analog synthesizer from 1982 with the utmost accuracy. Due to its highly complex nature and sheer number of parameters, this has been among the most challenging virtual instruments Cherry Audio has ever created. We’ve painstakingly emulated every aspect with exacting precision while making the sound programming experience more intuitive with easy-to-use pop-up menus and informative real-time display directly built into the parameter buttons. Topping it off, switching the standard single instrument mode to double mode adds a Chroma Expander – an entire additional Chroma Synthesizer that can run in layer or split modes!
I needed a fat synthesizer that could compete with loud guitar amplifiers and sound better than distorted guitar sounds. So I built the memorymoon. Memorymoon has 6 voicecards with 3 oscillators. You can set drift values for osc1 tuning, osc2 tuning, pulse-width, filter cutoff and VCA level to emulate the variations between voice cards in analog synthsizers. Osc1 has a drift button to do LFO drift. Unison will make a single note play from 1-6 voicecards at the same time. The sound is very overdriven. Mixer levels over 50 will create distortion in all oscillators. Filter2 has multiple stages of distortion and filter2 level knob will set the overdrive gain. Filter2 has built in +/- 5% variations to emulate analog components. The distortion effect at output can be inserted at output stage, or before the filter. It is a live-instrument. Arpeggiator, osc3, LFO and delay can be synced to host clock, or you can set tempo to manual and tap the synced tempo with a button (CC97), tap with the sustain pedal, or use the tempo knob.
Memorymoon has 6 voicecards with 3 oscillators. Soundfont section has 10 note polyphony. You can set drift values for osc1 tuning, osc2 tuning, pulse-width, filter cutoff and envelope times to emulate the variations between voice cards in analog synthsizers. Unison will make a single note play from 1-6 voicecards at the same time. The sound is very overdriven. Mixer levels over 50 will create distortion in all oscillators. Filter2 has built in distortion and filter2 level knob will set the overdrive gain. The distortion effect at output can be inserted at output stage, or before the filter.You can have 3 stages of distortion before the filter: VCA overdrive in mixer, dist fx set to “before filter” and filter2 has built in distortion.
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