If you’re looking to incorporate the sound of “Classic Cartoons” into your tracks, then look no further. These “classic-sounding” yet “original” construction kits bring you the flavour of the humouristic cartoon music you grew up with. Includes individual audio and MIDI loops as well as full arrangement in both MIDI and OMF formats.
And finally… the double basses, once again with four different true legato patches for full compositional variety. Legato patches allow you to turn legato off if you wish so that you can play polyphonically/chords, and the double basses also come with some percussive string fx, glisses, tremolo glissandos, and other experimental sounds too. This is a must own, as either your perfect go-to string library for any composing needs, or as a considerable addition to your existing string palette. This library was recorded 24 bit at 48000Khz with four mic positions (Close, Main, Rigs and Room) in a wonderful sounding hall. The range of articulations is listed inside. Boasting a huge range of articulations and techniques, and a fully revamped realistic legato script, with four fantastic mic positions, Close, Main (conductor position), Rigs, and Room. This sample library can be played in Kontakt 4 and above.
Completely ripped Symphonic Cube .gig files. The idea was simple; since the .gig files contained grouped patches, I decided to turn individual .gig files into Kontakt patches and patches inside the .gig files into keyswitches. The naming was kept original – if the .gig file was named EH_LONG-NOTES now the patch is called that and the GUI is displaying the original names of the patches from that .gig file now serving as keyswitches. Completely ripped is an exaggeration, because the keyswitches would have been too wide had I ripped everything inside – the release samples had to be sacrificed as well as all combinations in order to keep the keyswitches in order. The naming conventions can be explored in the manual. The patches are using Nils Liberg’s Xfade script (not provided here) which is disabled by default. Also prebuffer size is set to 6kB as this was meant for SSDs.
The Modern Symphonic Orchestra offers a comprehensive collection of over 10GB (five DVDs) of the finest string, brass, woodwind, and percussion samples – all meticulously sampled for just the right expressiveness in each recorded note to convey a truly realistic feel. The library has been set up so that the instrumental sounds of the orchestra are laid out based on a live performance setup from the Baroque era. While there are many ways to set up an orchestra on stage, in working with orchestral samples, this pre-panned Baroque-style setup works the best to give you the most realistic sound possible. Programmed specifically for the powerful Emulator X/Proteus X sound engine, each of the Modern Symphonic Orchestra’s presets is mapped to the MIDI real-time controllers for enhanced expression. The pitch wheel and modulation wheel, and other continuous controllers create various performance effects such as: bend-up/ down, voice switching, chorus, or layer crossfade.
Powerful, flexible and exquisitely recorded virtual choral libraries: The Venus Symphonic Women’s Choir. We took all we learned from recording previous choirs and applied them here to make certain Venus is extraordinarily playable, diverse and stunningly beautiful. With Venus, we are aiming for versatility. Instead of focusing on one language, we offer both Slavonic (Russian) and classic Latin content, so composers can explore even more flavor and realism. We spent 10 days in our favorite church recording the 33-voice women’s chorus, featuring top notch talent from Volti, SF Symphony Chorus and the SF Choral Society, capturing all of the delicate nuances of the female human voice. Venus is all about power, clarity and fluidity. It includes 2 mic positions (stage and hall) so composers have the flexibility to incorporate the brilliant, natural sound of Venus easily into their mix. Now finally Venus has risen in the night sky, to join her Male counterpart Mars.
Full Violin II section with four different true legato patches for full compositional flexibility (sustains, sordino, sul tasto and sul ponticello). The normal sustains have true legato fingered intervals, plus portamento (sliding) transitions too, so you can really get the line to sing. Legato patches allow you to turn legato off if you wish so that you can play polyphonically/chords. This is a must own, as either your perfect go-to string library for any composing needs, or as a considerable addition to your existing string palette. This library was recorded 24 bit at 48000Khz with four mic positions (Close, Main, Rigs and Room) in a wonderful sounding hall. The range of articulations is listed below, with many true legato patches, normal/portamento legato, more varied types of detached notes, muted patches etc.
Full Viola section with four different true legato patches for full compositional flexibility (sustains, sordino, sul tasto and sul ponticello). The normal sustains have true legato fingered intervals, plus portamento (sliding) transitions too, so you can really get the line to sing. Legato patches allow you to turn legato off if you wish so that you can play polyphonically/chords. This is a must own, as either your perfect go-to string library for any composing needs, or as a considerable addition to your existing string palette. This library was recorded 24 bit at 48000Khz with four mic positions (Close, Main, Rigs and Room) in a wonderful sounding hall. The range of articulations is listed below, with many true legato patches, normal/portamento legato, more varied types of detached notes, muted patches etc. Boasting a huge range of articulations and techniques, and a fully revamped realistic legato script, with four fantastic mic positions, Close, Main (conductor position), Rigs, and Room. This sample library can be played in Kontakt 4 and above.
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