Beat Magazine is a music producer magazine with answers to questions on production, mastering, gear and djing. Filled with reviews on the latest hard- and software, hands-on tutorials, workshops, plus 8.5 GB of plugins, loops, sounds and samples. Added on top every issue includes club reports, interviews as well as music reviews and helpful tips for your next production.
Endlich klare Verhältnisse: Die KI Musik & Recht Masterclass in Beat 07/26 | KI kann dir im Studio viel Arbeit abnehmen: Sie liefert Ideen, beschleunigt Workflows, hilft beim Mastering, erzeugt Sounds und unterstützt sogar bei Vocals, Cover-Art oder kompletten Songs. Doch welche Tools lohnen sich? Und was davon darfst du am Ende kommerziell nutzen? In dieser Masterclass zeigen wir dir, wie du KI im Producer-Alltag sinnvoll einsetzt: praxisnah, anwendungsbezogen und ohne trockenes Juristen-Deutsch. Du erfährst, welche Anwendungen vergleichsweise sicher sind, wo Urheber- und Persönlichkeitsrechte relevant werden und warum nicht alles, was technisch möglich ist, am Ende dir gehört.
The 101 Most Underestimated Producer Tricks – in Beat 03/25 As producers, we‘re constantly experimenting with techniques to get the perfect sound. But while sidechaining and parallel compression are often in the spotlight elsewhere, we reveal the really crucial secret tricks that make a big difference in the mix. Get ready for secret recipes, mixing tools and the most underrated production techniques that will improve your sound quality, optimize your workflow and increase your motivation. These techniques are the key to more creativity and productivity in the studio – a must for every serious producer! 101 Producr Hacks That No One Else Reveals Sidechain, parallel compression, from loop to track and so on… all run-of-the-mill tips that you‘ve probably gotten tired of. That‘s why we‘re going to look at the real insider tips that no one else dares to mention. Maybe because they sound banal or aren‘t technically explainable?
VOCALOIDTM3 Megpoid English is the virtual vocal software based on voice of Megumi Nakajima who is a Japanese singer and voice actress. Only by entering a melody and lyrics, you can create vocal data having Megumi Nakajima’s voice quality. Her voice is clear and relaxed, it can be applied to any songs whatever its tempo. It enables you challenge a lot of things such as to create new songs, produce a new female vocalist. Vocaloid is a technology for singing voice synthesis developed by Yamaha, and the name of this software application. The software allows users to input melody and lyrics in order to synthesize singing. In other words, with this technology, singing can be produced without a singer. Singing voice synthesis is produced by using fragments of voices recorded from actual singers, called the Singer Library. The software contains the vocal library which can be used on VOCALOIDTM3. The attached for the purpose of the test operation. However we strongly recommend full-fl edged songs.
On August 31st, it was officially confirmed that Miku’s V4 update would be a V4X title and a demo was released showcasing a voicebank called “Hatsune Miku Original”. It was also revealed that Miku’s V4X would also contain 2 E.V.E.C. vocals: Soft and Power, though more E.V.E.C. vocals may be planned.
Master AI music production: 24 tools for vocals, beats & inspiration Artificial intelligence is becoming an indispensable tool in music production. But which tools are really helpful? In our big special, you‘ll learn which AI tools you should know and how to integrate them into your creative workflow – whether in songwriting, mixing, sound design or writing lyrics. In workshops, we‘ll also show you how to work more efficiently with tools like SUNO, Musicfy, AIVA and Vocoflex without losing your own musical style.
Mus2 is an easy to use and handy music software designed to help you notate microtonal works and music. The application comes with support for microtonal MIDI recording and playback options. It allows you to work with non-12-TET tunings and pitch systems, offering you full control over the lines and pitches.
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