VST Connect Pro is a fully featured, remote recording solution that lets anybody record a voice talent, musician or other performer in professional quality, regardless of where each sof them is on the planet.
Review by SoundOnSound: The highlight for most VST Instrument fans will be the new A1 virtual analogue synthesizer developed by Waldorf. This sounds fantastic, and the factory presets demonstrate its versatility at producing bass, pad, poly, lead and effects patches, including plenty of those oh-so-popular virtual analogue sounds.
A Six-Voice Dual-Oscillator Virtual Analogue Synth.
Create chord patterns, riffs, bass lines, effects, arpeggios, morphs, pads, leads, even 4-track songs quickly and intuitively with Xphraze. With chopping rave chords, complex polyphonic soundscapes, screaming bass and lead riffs, luscious sweeping pads and tempo-synced sound effects, Xphraze will have your music exploding from your speakers all in perfect sync.
The LM-4 Mark II 32 Bit VSTi drum module released in 2002 builds upon the original to give you more flexibility and better sounds! The Mark II comes with a huge range of high-quality 24 Bit drum and percussion sounds that cover the most diverse music styles from Latin and Rock to House, Electro and Drum’n’Bass. The Mark II’s enhancements include over 1GB of samples, 50 drum kits, drag and drop audio files, 20 velocity layers per pad, ADSR envelopes, Bit Crusher and Reverse, 12 outputs (3 stereo and 6 mono), volume, pan, and pitch automation. It also offers 16-, 24- or even 32- bit AIFF, WAVE or SD II (Mac only) compatibility. The LM-4 Mark II XXL is the LM-4 Mark II bundled with 70 additional high-resolution kits
D’cota provides four ADSR envelopes and two freely synchronizable LFOs for each of the three synthesis forms. Eight different types of filter and two waveform generators feed two independent spectrum stages with user-definable curves. The integrated Morph function allows easy fading between the two spectra in real-time. With its delays, distortion units, modulators and three oscillators featuring more than 60 waveforms for frequency, pulse width and ring modulation, the breathtaking power of the D’cota effect section opens up new, previously unexplored soundscapes.
Tonic emulates the characteristics of an analogue filter and is similar to the filter within the Monologue synth. It can be switched between mono and stereo output, has low-pass, band-pass and high-pass modes, various envelope-triggering modes, a step sequencer for LFO shape, and an X/Y matrix pad for additional real-time modulation of any two of the plug-in’s parameters.
