Genres: Sound Clip
From the makers of Hard Rock: Decade of Distortion and Dubstep Killers comes a twisted library of both loop and sound design elements for cinematic horror or demented musical productions. 13 is a cinematic, horror-sound sample library as mysterious as it is unconventional. With over 8.5 GB of content including Drones, Atmospheres, Swells, Drums, Fractured Audio and Spoken Phrases, 13 has more than enough raw content to fill the entire spectrum of Horror sound design and cinematic projects. All files are formatted in the highest quality 24-bit WAV for superb results in any application. 13 promises to evoke feelings of consternation and foreboding, plunging into the dark depths from which hellish nightmares spring.
Sound & Vision is at the forefront of the ever-changing, always dynamic world of electronic entertainment. Authoritative and accessible, written with insight and humor, Sound and Vision is the preeminent source for consumers of home theaters, audio, video and multimedia products.
Works on any editing software such as DaVinci Resolve, Adobe Premiere Pro, Final Cut and many more. The Best Cinematic SFX for Filmmakers; including Mix & Match Melodies in the same Key/BPM to create your own scores.
AD Sound Tools is a real-time software that provides effective use of your PC sound devices. It includes a signal generator, a recorder, two oscilloscopes and two spectrum analyzers. The program allows to control your recording device in time and frequency domains, record a signal to WAV file and then convert it to MP3 one. AD Sound Tools can generate sine, white noise and short pulses signals and monitor them in separate waveform and spectrum windows. Connecting the generator and an available sound device you can evaluate its frequency response using sine sweep, optionally white noise and short pulses. The data obtained can be saved as a Windows Bitmap and a text CSV-file. The program can be used in educational purposes. It allows you to perform some interesting tests with your sound devices including microphone localization and sound interference tests.
We are celebrating the 40th anniversary of the release of Devo’s ‘Freedom Of Choice’, the album that sparked the American synthpop revolution, in this month’s Electronic Sound. We’ve interviewed both Mark Mothersbaugh and Jerry Casale for our cover feature, which explores how Devo’s record label were on the verge of sacking the band in the months leading up to ‘Freedom Of Choice’ and how the success of the album changed everything for the guys from Akron, Ohio. It inspired a host of other names on the burgeoning US electronic music scene too and, alongside our main story, we’ve picked out 20 of the finest American synth records of the 1980s. From big hitters to obscure transmitters, from the likes of Prince and Ministry to Screamers and Our Daughter’s Wedding, all of these artists owed something to Devo.
Never mind the chocolate. Forget the moules-frites. Give no further thought to Plastic Bertrand or Kevin De Bruyne or that bronze statue of a little boy having a wee. Because what Belgium is most famous for is Telex, the trio responsible for some of the very finest early European synthpop records. Who could forget classics such as ’Moskow Diskow’ and ‘Euro-Vision’? We rest our case. Marc Moulin, the journalist and label owner who came up with the original idea for Telex back in 1978, is sadly no longer with us, but we’re delighted to be able to talk to the two surviving members of the band, frontman Michel Moers and synth virtuoso Dan Lacksman, for this month’s cover story. Four decades on from their best known records, they’ve lost none of their love for all things electronic. Or their wry sense of humour.
