The Voice Sound Library melds the world of incredible spectral manipulation with the most powerful instrument there is—the human voice. With growling leads, ethereal choirs, percussive and beatboxing effects, indie pop-style vocal pads, and much more, Voice is dark, ominous, cheery and wonderfully musical all at the same time. Breathe a human element into your synthetic stylings with Voice.
Elevate your productions with the second installment of TECH SOUND LIBRARY. Inspiring next-level sounds for Tech House, Deep House and Techno producers. 100% original loop libraries, straight from non-stop clubbing capital of Europe, expertly created by masterful producers with serious experience in rocking the Beatport charts and clubs worldwide. Ready for direct injection to a DAW or Sampler of your choice. All loops are 24-bit industry standard wav files at 127 & 129 BPM. Total pack size of 417.4 MBs containing 188 loops. 100% royalty free!
Elevate your productions with TECH SOUND LIBRARY VOL 1 – over 420 MBs of inspired next-level sounds created for Tech House, Deep House and Techno productions. Our Global DJs and their production teams are willing to share a deep production knowledge and up to the minute overview of what’s really in the clubs with you. Expertly programmed 100% original loop libraries created in the clubbing capitol of Berlin.
For the first time ever, we’re bringing our sound effects whizzes, swooshes, clunks, squishes, crashes, clashes, bumps, binks, sizzles, creaks, rattles, clinks, cracks and impacts straight to you. The H.E introduces its Foley Sound Effects Series — an unparalleled mix of over 1600 Foley Sound Effects taken directly from Academy Award winning motion pictures, created by top Soundelux designers. Foley recordists at Soundelux Studios in Hollywood have captured each glass smash, metal wronk, meaty punch, wood crash and sword clash that you hear in all of your favorite movies, and now they want to share some of that movie magic with you. Originally available on 5 CDs, this library is available as a Download and features the Foley sounds of blunt and edged weapons, fight kicks and punches, metal, glass and wood impacts, casino fx, paper movement and much more. These distinct sounds will allow you to create and sweeten everything from the most intense medieval battle and terrorizing monster footstep to the smallest wood and glass break. From the best Foley sound stage to your own sound library, let The H.E bring the movie magic right to you.
Producer Sound Library Volume 2 features an awesome array ok UK Garage, 2 Step, Bumpy 4×4 Loops & Deep House samples and loops in high quality 24 Bit WAV, Rex2 and Apple Loops. After the huge success of volume one, Jeremy delivers the long awaited volume toward is now available to download straight to your chosen software DAW.
CD ROM is Emulator III compatible, four banks are denotated with by an “X” for use exclusively on EIIIxp units.
Sound Design Tools, an epic collection of sound effects, foley sounds and electronic drum loops created by Gavin Thibodeau aka Embra. Gavin was working on this sound collection for more than six months, using Ableton Live as the main audio workstation and several 3rd party plugins for processing the sounds. The final product contains 36 drum loops and 324 one shot samples in 24-bit WAV format. A NI Reaktor sample map is also included in one of the folders and an updated version of the library containing NKI and SFZ mappings will be released soon. It’s hard to describe this fantastic sample collection in just a few words, because it contains so many brilliant sounds which don’t really fit into a single category. On one hand, there’s a folder which contains a bunch of great sounding foley samples, captured from loads of different sound sources such as hydraulic engines, metallic hits, water splashes, etc. Then you have the processed foley sounds which are completely glitched out and which would perfectly fit a sci-fi movie soundtrack or a futuristic movie trailer. Most of these processed sounds could also work as percussive hits or as glitchy SFX bits which you could use for layering on top of rhythmic sequences.
