Loudness Limiter v4.6.1WiN MAC

Team BTCR | 28 November 2025 | 56.8MB

PLATFORM: AU/VST2/VST3/AAX

The APU Loudness Limiter is a real-time limiter designed to support multiple loudness types simultaneously. The limiter can be configured to use LUFS, True Peak, RMS, and/or Peak loudness types. This allows you to target multiple requirements simultaneously, such as a specific LUFS target and a specific True Peak target. Internally, the ballistics of the limiter are adjusted to accommodate the different loudness type limiter settings.

Metra v1.0.0 WiN

Team R2R | 14 January 2026 | 4.1 MB

Metra is a high-end real-time analysis and metering plugin built for engineers who need absolute confidence in loudness, dynamics, and stereo image. Designed strictly as an analysis tool, Metra never alters your audio – its sole purpose is to deliver clear, reliable information when critical decisions matter. It brings together professional level, dynamics, stereo, and loudness metering in one unified interface, featuring Sample and True Peak, PPM, RMS and VU, Dynamic Range and Crest Factor, stereo correlation and balance, goniometer and Lissajous displays, as well as fully standards-compliant loudness metering including LUFS, LRA, PLR, PSR, and optional Dialogue Integrated Loudness. Everything you need to confidently monitor modern mixes, masters, and broadcast deliverables is always in view. Inspired by the clarity of classic 1980s plasma meters and powered by modern measurement standards, Metra combines exceptional visual readability with state-of-the-art loudness compliance – making it equally at home in music production, mastering studios, and broadcast environments.

bx_XL V3 v3.1.0 MAC

HCiSO | 27 June 2025 | 40.92 MB

64Bit: AAX, VST3, AU, VST2

The bx_XL V3 empowers mastering engineers to achieve loud mixes without sacrificing clarity. Utilizing the mid/side technology groundbreaking bx_digital EQ, you can split the mid channel into two bands (low and high). This allows for control over three individual channels – mid-low, mid-high, and side – resulting in increased loudness and significantly enhanced clarity with fewer artifacts and greater punch.

Loudness Limiter v3.0.0 WiN

BUBBiX | 04 October 2024 | 32 MB

x64:(STANDALONE, VST3, AAX) | x86:(STANDALONE, VST3)

The APU Loudness Limiter is a real-time limiter designed to support multiple loudness types simultaneously. The limiter can be configured to use LUFS, True Peak, RMS, and/or Peak loudness types. This allows you to target multiple requirements simultaneously, such as a specific LUFS target and a specific True Peak target. Internally, the ballistics of the limiter are adjusted to accommodate the different loudness type limiter settings.

bx_XL V3 v3.0.1 WiN

Team R2R | 23 August 2024 | 19.7 MB

x64: AAX, VST3, VST2

The bx_XL V3 empowers mastering engineers to achieve loud mixes without sacrificing clarity. Utilizing the mid/side technology groundbreaking bx_digital EQ, you can split the mid channel into two bands (low and high). This allows for control over three individual channels – mid-low, mid-high, and side – resulting in increased loudness and significantly enhanced clarity with fewer artifacts and greater punch.

bx_XL V3 v3.0.1 WiN

TCD | 08 August 2024 | 7.2 MB

x64: AAX, VST3, VST2 | x86: JBridge

The bx_XL V3 empowers mastering engineers to achieve loud mixes without sacrificing clarity. Utilizing the mid/side technology groundbreaking bx_digital EQ, you can split the mid channel into two bands (low and high). This allows for control over three individual channels – mid-low, mid-high, and side – resulting in increased loudness and significantly enhanced clarity with fewer artifacts and greater punch.

bx_XL V3 v3.0.1 MAC

Team MORiA | 08 August 2024 | 58 MB

64Bit: AAX, VST3, AU, VST2

The bx_XL V3 empowers mastering engineers to achieve loud mixes without sacrificing clarity. Utilizing the mid/side technology groundbreaking bx_digital EQ, you can split the mid channel into two bands (low and high). This allows for control over three individual channels – mid-low, mid-high, and side – resulting in increased loudness and significantly enhanced clarity with fewer artifacts and greater punch.