Perfect Plate XL v1.0.3 WiN MAC

FLARE | 08 September 2021 | WiN: 6.13 MB | MAC: 12.3 MB

Go supernatural with the Perfect Plate TXVerb™ powered technology

The goal of the denise Perfect Plate reverb is to easily manipulate your tracks in supernatural ways with supernatural sound quality. The Perfect Plate XL offers refined control over the key aspects that determine a plate’s sound, resulting in new possibilities to shape and combine plate reverb styles: make drums sound huge, like played in a oil tanker, give vocals a classic dreamy vintage reverb or make them sound like a resonating synth drone that rotates in the stereo field. We do this by utilizing our TXVerb™ technology known from the Perfect Room, praised by many engineers as the best natural reverb out there. To go even further beyond the realms of traditional reverb, we added tailor-made effects to work seamlessly with our core TXVerb™ technology. We challenge you to go supernatural with the resonator, drive, rotator & detune – and don’t forget about the internal ducker!

Eos v2.2.1 WiN MAC LiNUX

ARTiCSTORM | 30 September 2021 | 13 MB

(Win32/64, MacOSX, LiNUX; AAX, AU, VST3, VST)

Eos 2 is a massive update our Eos algorithmic reverb. With an all-new entirely procedural GUI (featuring full Retina and Windows HiRes compatibility), a new cross-platform preset mechanism, a new reverb algorithm, the addition of crossover controls, the addition of VST3 versions, and a ground-up rebuild for future-proofing, Eos 2 is a worthy successor to our all-time best-plugin. Eos consists of four high-quality custom-designed reverb algorithms, made with the modern production environment in mind. Three different plate simulators and our own Superhall algorithm give you a broad palette of reverb, and the easy-to-understand interface makes adjusting the algorithms to suit your track incredibly simple. Want a traditional dark plate reverb? Eos can do that. How about a short, dense room sound for your drum buss? Not a problem. But where Eos really comes in to its own is when you drop Superhall on your piano or synthesizer tracks. The incredibly long modulated hall sounds of Eno-style ambience are where Eos thrives, something that is not possible with convolution ‘verbs

1989Verb WiN MAC

P2P | 28.04.2020 | WiN: 195.15 MB | MAC: 259.20 MB

..:: AU AAX VST VST3 x86 x64 ::..

1989Verb is an homage to Late 80’s Reverb tones. Warm plates, bright, dark, long, short, fast gates, slow gates, Reverse reverbs, regens, tap delays, flangers, blooms, stereo wideners, you name it, it’s there. Based on an 1989 Digital Reverb unit, the 1989Verb not only features the characteristics of the original unit but it also features a HiPass and LoPass to enhance the experience. A simple interface allows you to dial tones quickly. You can choose the patch from the dropdown menu or just simply keep clicking the arrows until you reach that golden tone. Whether your Drums need more weight, synths need more air & excitement, vocals need that warm space to dwell in; 1989Verb is a perfect pair for any retro fan! Works well with modern production as well. Yesterday’s sound, today’s workflow: 1989Verb is an homage to Late 80’s Reverb tones. Warm plates, bright, dark, long, short, fast gates, slow gates, Reverse reverbs, regens, tap delays, flangers, blooms, stereo wideners, you name it, it’s there.

Redline Reverb v1.0.12 WiN

Team R2R | 12 Jul 2016 | 13.1 MB

PLATFORM: WiN32/64 – VST/RTAS/AAX(MODiFiED)

Redline Reverb is a fully algorithmic and true stereo reverb with possibilities far beyond the conventional – check out the 112 factory presets for a comprehensive showcase of what it can do. Unlike conventional algorithmic reverbs, Redline Reverb does not need separate plate, hall, and room algorithms. Instead it features a comprehensive yet intuitive parameter set that allows you to easily recreate any given reverb characteristic, leaving you free to create lush smooth vocal reverbs, convincing room simulations, almost infinite reverb tails, synth pad and delay effects, and everything in between.

ROOM Reverb v1.0.0 WiN MAC

Team DECiBEL | 06 Jul 2021 | 36.3MB

..:: VST2, VST3, AU & AAX ::..

ROOM is a lightweight reverb plugin, which comes with a small room, medium room, large room, small plate, medium plate, large plate and 2 artificially engineered bonus rooms.

Verbsuite Classics v1.0.3.2 WiN

Team AudioUTOPiA | 28 October 2016| 3.61 GB

Why get just one reverb, when you can have them ALL!

ADDED EXPANSiONS WiN/MAC TODAY: (Lexicon 224XL / VOLTCRAFT FG-3000/3500)

Introducing VerbSuite Classics: For the first time ever, eight of the most popular professional digital reverbs from the past forty years can be accessed in a single plugin, some of which have never been modeled before. What makes VerbSuite sound different from any other available reverb, which captures the actual tone of the modeled reverb for the first time. Unlike static impulses found in typical convolution reverbs, Fusion IR is able to reproduce the evolving character of modulating digital reverbs, making the overall tone rich, smooth and dynamic.

Fusion Field v4.00 WiN MAC

Team R2R | 18 Sep 2020 | WiN: 4.0 MB | OSX: 9.4 MB

PLATFORM: WiN64: VST/VST3/AAX | MAC: AU/VST/VST3/AAX

Total Diffusion Reverb

Fusion Field is a smooth reverb that sits beautifully in a mix. It’s clean, unobtrusive sound has a natural falloff that floats behind, and complements the source material perfectly. Fusion Field is very easy to use, and the main display shows the effects of the dampening and EQ in a plain natural way. The reverberation can be dampened in the upper and lower frequencies, allowing soft sibilance and a graceful, lifting air to the sound. Having very few controls does not hinder Fusion Field’s usefulness. The dial ranges have been sloped to give the best sensitivity in useful regions, and the whole unit can create short snappy rooms, or vast time-suspended spaces, and anything in between.