Demon 80 v1.2 VST x64 WiN

MaGeSY® | 29.02.2020 | 6.76 MB

Demon 80 is a Multiband Compressor.

VA RAXS v1.94 VST x64 WiN

MaGeSY® | 29.02.2020 | 8.7 MB

Rack: Mastering & ReMastering

VA RAXS is a vintage-looking rack,designed for mastering and remastering of any sound materials. When set correctly, VA RAXS is designed to provide high quality sound at low cost. It can also be used for remastering old recordings of audio cassettes and other sound material.

DNX-03 v2.6 VST x64 WiN

MaGeSY® | 29.02.2020 | 12.82 MB

Stereo Compressor For Mastering Tool or Channel Strip

DNX-03 is a three-band stereo Compressor (win vst plugin) inspired by the analog models, with some added features such as noise reduction and wide stereo control for each individual freq-band. The DNX-03 is able to split the incoming signal into three frequency-bands using a 6dB per octave crossover. First-order filters are considered by many audiophiles to be ideal for crossovers. Each band is passed through a compressor and then through a stereo processor where compression,gain and stereo image can be altered and improved. The outputs of the compressors and processors are then re-combined and fed to the master output.

reMIDI Sampler v1.0.0 RETAiL WiN

P2P | 05 May 2020 | 9.8 MB

reMIDI (pronounced ‘remedy’) is not another music theory MIDI effect plugin. It’s the very first MIDI sampler. It literally cuts to the core of the problem of finding inspired musical materials by providing harmonies and melodies that are proven to work – enabling you to sample the royalty-free compositions of past greats (Bach, Chopin, Gershwin, etc). More in the mood for modern? No problem – You can use reMIDI to get the most out of your purchased royalty-free MIDI loops. If you can sample audio to help kickstart productions, why not sample midi? You can isolate melodies more easily than audio recordings and you can even extract all the chords used! Best of all – you get to choose the instruments. reMIDI comes with over 1700 royalty-free midi files in the factory library to sample from. But you’re never limited – you can even expand the library by sampling from your own midi! Connect reMIDI to your favourite virtual instruments and hit the keys/pads on your midi controller to effortlessly find the building blocks for your next track. You can edit midi notes exactly how you want by dragging out any slice that reMIDI serves up. Make each loop your own. You can even use it to help create a top-selling loop/chord pack.

Double Six XXL VSTi WiN

TEAM ViP | May, 2009 | 2.40 MB

Double Six XXL is a 6-operator FM synth with 32 DX7 algorithms and 16 4-operator algorithms.

Pro Tools v2021.7.0 WiN

Team R2R | 01 Nov 2021 | 2.39GB

EMPOWERING INSPIRED ARTISTS

Your talent and artistry know no bounds. Take your sound further with software and hardware that let you focus on what you do best. Meet Pro Tools. Pro Tools are constantly updating and upgrading the legendary DAW with new and exciting features. During 2020, Avid introduced a wide range of new enhancements and updates including: Audio to MIDI, Record-Enable modes, Space Clips and expanded video/audio file support to name a few. You can now also use Ableton Link with Pro Tools, perfect for collaborations, providing added flexibility for your music creation process. You can also switch to the new ‘Dark Theme’ – perfect for late-night studio sessions.

God Mode v2.0.1 WiN MAC

FLARE | 08 September 2021 | WiN: 5.58 MB | MAC: 7.70 MB

..:: VST, VST3, AU, AAX, x86, x64 ::..

The God Mode introduces a new push-pull technology giving you full control over what frequencies to saturate and distort. It’s node EQ graph and linear phase filters allow for unlimited options to shape the coloration of your sound. The push-pull technology is inspired by the legendary analog Pultec EQ, a passive tube eq from the 50s, widely used in the 70s/80s for both broadcasting and mixing. The Pultec EQ would ‘push’ the gain for a certain frequency range into its tube circuit, and would then ‘pull’ it back again, to smooth out the frequency response. This creates a sound close to the original but with a nice warmth added to the boosted frequency ranges. The God Mode introduces a modern version of this technique. The first step to using the God Mode is to boost or ‘push’ certain frequencies in your track that you like to be more saturated or distorted. You can for example use one shelf to boost the highs and one peak to boost a certain color or resonance. Because you push these frequencies harder into the saturation algorithm, they will be naturally more affected by it. The second step is to decide if and how much ‘pull’ to apply to the boosted frequencies. This gives you creative control over the amount of coloration and the option to create a perfectly balanced frequency response for your track.