Using inter-process communication mechanisms, it aims to make it possible to run 32bit plugins in 64bit hosts, 64bit plugins in 32bit hosts, or even bridging 32bit plugins to 32bit hosts, allowing to overcome the memory limitations of a single 32bit process, in this last case.
AnalogStage emulates those sound characteristics usually associated with analog gear (saturation, hiss, non linear frequency response, etc.) and can be used to bring to your mix some analog console flavor if used on every channel or buss. AnalogStage simulates the response of three different types of analog technology: operational amplifiers (the cleanest and more modern technology), transistor (the discrete transistor designs were popular in the 70s and have some fat saturation) and tube (the dynamic and smooth saturation of the past). Every one of the three different type of emulation can be used inside the same project but for convenience you can create up to eight group of instances so that any change to the emulation type, age, hiss switch and saturation switch is applied to every plugin belonging to the group.
Spikes is a transient processor, thanks to it’s intelligent auto settings you need just one knob to manipulate the sound, but if you want to tweak it every control is there at your fingertips. Working with audio often happens that you need to manipulate peaks and body of the signal, sure you have compressors at your disposal but a compressor needs a fixed threshold to work, a plugin like Spikes on the other hand uses a relative threshold so you don’t have to worry about the level of the signal.
Sybilla Pro is a multi filter de-esser, unlike other traditional de-essers Sybilla Pro has 8 different tunable filters to effectively find the offending sibilance and feed the compressor that will reduce it. Sybilla Pro is a wideband de-esser, the compressor stage is driven by the sum of the output of the active filters above the threshold so that if the sibilance moves in frequency Sybilla Pro can follow it and never miss it. Another peculiarity of this plug-in is that the threshold is not fixed, but relative to the signal, the compressor is driven by the sum of the filters which is computed against the unfiltered signal, this difference is then used as key for the compressor. What happens with this kind of processing is that de-essing takes places even in softer passages where with traditional fixed threshold de-essers the signal must be above the set threshold for de-essing to take place.
Epoch is a powerful character compressor which uses comb filtering to simultaneously affect dynamics and tonal coloration. Epoch’s unique feature set includes transient detection with lookahead and external sidechain. Epoch’s musically pleasing compression is ideal for use on either instrument tracks or full program material. Epoch combines extreme precision with the cherished euphonic qualities of classic analog processors. Attention to detail allows Epoch to excel in musicality and sonics. Epoch’s exceptional power and silky…
For the professional musician… everything you NEED. For the amateur musician… everything you WANT. This full-version is the showcase edition in the FORTE 7 line of products, and provides high quality function and operation. The sky’s the limit and the possibilities are endless with FORTE 7 PREMIUM!
No need to tweak, just plug Grind Machine into your track and enjoy instant mix ready tones that cut through your mix effortlessly. Grind Machine keeps it simple, using any of it’s 12 amplifiers and 20 cabinets it gives you over 240 kick-ass sounding rig variations, leaving you to focus on the songwriting process and save time on your mix. Grind Machine also includes DJENTBOX, an overdrive pedal that makes low tunings sound tighter and more in your face!
