Double Six XXL VSTi WiN

TEAM ViP | May, 2009 | 2.40 MB

Double Six XXL is a 6-operator FM synth with 32 DX7 algorithms and 16 4-operator algorithms.

Pro Tools v2021.7.0 WiN

Team R2R | 01 Nov 2021 | 2.39GB

EMPOWERING INSPIRED ARTISTS

Your talent and artistry know no bounds. Take your sound further with software and hardware that let you focus on what you do best. Meet Pro Tools. Pro Tools are constantly updating and upgrading the legendary DAW with new and exciting features. During 2020, Avid introduced a wide range of new enhancements and updates including: Audio to MIDI, Record-Enable modes, Space Clips and expanded video/audio file support to name a few. You can now also use Ableton Link with Pro Tools, perfect for collaborations, providing added flexibility for your music creation process. You can also switch to the new ‘Dark Theme’ – perfect for late-night studio sessions.

God Mode v2.0.1 WiN MAC

FLARE | 08 September 2021 | WiN: 5.58 MB | MAC: 7.70 MB

..:: VST, VST3, AU, AAX, x86, x64 ::..

The God Mode introduces a new push-pull technology giving you full control over what frequencies to saturate and distort. It’s node EQ graph and linear phase filters allow for unlimited options to shape the coloration of your sound. The push-pull technology is inspired by the legendary analog Pultec EQ, a passive tube eq from the 50s, widely used in the 70s/80s for both broadcasting and mixing. The Pultec EQ would ‘push’ the gain for a certain frequency range into its tube circuit, and would then ‘pull’ it back again, to smooth out the frequency response. This creates a sound close to the original but with a nice warmth added to the boosted frequency ranges. The God Mode introduces a modern version of this technique. The first step to using the God Mode is to boost or ‘push’ certain frequencies in your track that you like to be more saturated or distorted. You can for example use one shelf to boost the highs and one peak to boost a certain color or resonance. Because you push these frequencies harder into the saturation algorithm, they will be naturally more affected by it. The second step is to decide if and how much ‘pull’ to apply to the boosted frequencies. This gives you creative control over the amount of coloration and the option to create a perfectly balanced frequency response for your track.

Cruelle v1.4 WiN MAC RETAiL

ZEUS | 15 December 2021| 7.25 MB

Cruelle is a brutal distortion plugin designed to turn sounds into screaming feedback tones and glitch artifacts. Combining an analog style filter with audio rate modulation and an aggressive digital distortion module with adjustable shape and feedback, Cruelle allows you to quickly create wild patches thanks to its intuitive and clean user interface.

Cerebrum VSTi v4.0 WiN

TEAM ViP | June, 2010 | 1.67 MB

Cerebrum is a pattern based drum machine with an onboard bassline synth. There are 8 drums total, each with it’s own sequencer with various randomization and velocity features. Designed with live operation in mind, Cerebrum can be used for making complex beats on the fly, with features like the Pattern Playlist and Random Probability, that ensure your rhythms stay interesting. Your beats can then be sent into the Multi-Band FX processor, split into three bands, distorted, crushed and destroyed and then squashed with the overall compressor for getting that classic ‘pumping’ effect with ease.

Unstable v1.0 VST x86 WiN

TEAM ASSiGN | 202 AUGUST 2010 | 5.35 MB

Unstable likes to mess around with your audio pitch, with 3 subtle pitch modulation modes to simulate the unpredictable but lovable pitch instability of an old tape machine or an analogue synth. It doesnüft only do subtle though, you can also put it in ‘insane’ mode if you’d rather just f**k things up.

Molot GE v1.0.4 WiN MAC

P2P | 22 October 2021 | MAC: 21.3 MB | WiN: 8.53 MB

..:: VST2, VST3, AAX, AU ::..

Russian for “Hammer”, Molot is the name of a popular dynamic compressor originally released in 2011 by Vladislav Goncharov. With a modernized concept, extended flexibility, and a generous dose of Rock ’n Roll, Molot GE proudly takes over the job of its predecessor. Molot GE is a particularly characterful dynamic range compressor melding several classic compression mechanisms with sophisticated saturation, creative tone control, and a snappy peak limiter. Whether it be mellow leveling, tight dynamic control, or aggressively vibrant compression, Molot GE covers a remarkable wide range of compression colors. While Molot GE doesn’t emulate any “vintage” device, its sound and behavior was definitely inspired by their most interesting musical peculiarities. This flexibility makes it suited for almost any source, be it drums asking for more crisp and impact, solidification and enrichment of vocals, or the enhancement of guitar and bass recordings of all types.