Liquid Bundle III v3 WiN

Team R2R | 05 November 2025 | 20.6 MB

..: x64: AAX, VST3, VST2:..

Liquid Bundle III is a thoughtfully curated collection of Nomad Factory’s beloved Liquid Series plugins—modernized for today’s production environments while preserving their warm, vintage sound. Combining a classic compressor, gate, delay, modulation, phaser, and reverb, this bundle gives you a full suite of essential tools to shape, enhance, and polish your mixes with timeless character. Each plugin has been rebuilt on the next-generation Plugivery framework, offering optimized DSP performance, improved stability, and full compatibility with the latest macOS and Windows systems. With native support for VST3 and Apple Silicon processors, Liquid Bundle III ensures smooth integration in all major DAWs. The fully resizable vector interfaces feature sleek Dark and Light themes, making it easy to customize your workspace. From subtle dynamic control and vintage-style delays to lush reverbs and rich modulation, Liquid Bundle III delivers the authentic sound and intuitive workflow that Nomad Factory has been trusted for over two decades.

British Bundle v2.1.1 WiN

Team R2R | 05 November 2025 | 43.5MB

Nomad Factory digitally recreated the Equalizer and Master Bus Compressor/Limiter which were part of a well known ‘British’ mixing console. Designed to improve the quality of digital sound recordings, these plug-ins provide a simple and functional vintage-style interface, as well as low CPU consumption for lightening-fast processing.

Analog Mastering Tools WiN

Team R2R | 05 November 2025 | 43 MB

x64: AAX, VST3, VST2

The Analog Mastering Tools (AMT) include three processors that sets a new standard for mixing and mastering your music with a subtlety and musical character reminiscent of tube systems.

80s Spaces v2.5.1 WiN

Team R2R | 05 November 2025 | 276.9 MB

PLATFORM: VST2/VST3/AAX(MOD)

The ultimate “80’s Vibe” reverb plug-in.. 80’s Spaces “magically” emulates the typical reverbs and space effect units used by legendary artists such as Michael Jackson, Madonna, Duran Duran, Guns N’ Roses, Tears for Fears, David Bowie, Depeche Mode, U2, Eurythmics, George Michael, Phil Collins, Queen and so many others.

Qin Engine v3.1.5 WiN

Team R2R | 05 November 2025 | 7.5 MB

PLATFORM: STANDALONE/VST3/AAX(MOD)

Piano engine (QIN ENGINE) V3 kernel has been updated to version V3.04, and the related sound libraries involved in this update have been upgraded simultaneously.

Collective v2.0.2 WiN

Team R2R | 05 November 2025 | 24.7MB | LiBRARY: 2.07GB

Collective is a powerful sampler and synthesizer capable of generating a wide variety of instrument sounds. Developed to accompany the new music composition tools, Collective allows you to immediately start creating diverse musical styles. Quickly select from over 600 presets and deep dive to surgically craft your unique sound. Pull from the included sample library or load your own, combine with synthesis or cherish the supreme quality of traditional samples. One instrument to rule them all.

OP-X PRO-3 WiN MAC

Team R2R | 05 November 2025 | WiN: 23.2MB | MAC: 50.9MB

OP-X PRO-3 is a 12-voice semi-modular virtual analog synth based on OP-X PRO-II which includes all sounds and features of OP-X PRO-II and fullfills virtually all requests and wishes from users collected over the recent years. Due to its massive features and flexibility OP-X PRO-3 is able to emulate the typical sounds of almost ANY analog synth of the late 70s and 80s including OB-X, Matrix-12, Jupiter-8, Prophet-5 and even Minimoog. The same as its precedessors did since 2006 the synth engine of OP-X PRO-3 exactly clones the inner working of real voltage controlled polyphonic analog synths of the late 70s and 80s in every tiny detail. This includes that each voice is a completely independend mono-synth sitting on a separate circuit board or in a separate circuit section on a common board and features tuning trimpots to wipe-out the differences caused by device tolerances which usually was done by a technician prior to shipping. For the user the synths usually offered an autotune function which sent an offset voltage to the voice boards to flatten differences which again could arise caused by warm-up drift and thermal shifting of the trimpots and devices. Early synths only offered this for oscillater pitch, but later synths like Matrix-12 also for filters and other parameters. This is offered too in OP-X PRO-3 and the same as in the originals you usually manage the tuning only uning the atotune unit and not by tweaking trimpots everytime which would be cubersome, but with the advantage that you can go forth and back (so tune and detune again) and even can tune or detune seamlessly, so seamlessly blend between the tuned and detuned state.