Level Magic v21.9.0 WiN

Team R2R | 2021.10.24 | 11 MB

 PLATFORM : WiN64 – VSTi/AAX(MODiFiED)

As a result of a joint engineering venture, Jünger Audio and Flux:: are pleased to announce Level Magic for the first time in a software format. Developed and enhanced over several years, the dynamic range processor principles developed by Jünger Audio enable level managing devices like compressors, AGC and limiters to be produced with exceptionally high audio quality, without coloration, pumping, breathing, distortion or modulation effects sometimes associated with this type of processors, in short, almost inaudible processing – with ease of use.

CR Plugins Bundle WiN MAC

TEAM R2R | 24 October 2021 | 7.05 GB

..:: AU, VST, VSTi, VST3, x64::..

OptoRED v1.1.0 WiN MAC

Team R2R | 2021.10.24 | WiN:7.9 MB | MAC:27.7 MB

PLATFORMS: WiN64 – VST3 | MacOSX – AU/VST3

OptoRED is a transparent Optical Attenuator (compressor) based on the classic American unit used on countless hit records. This is part of our new “Enhanced Classics” series. Compression is one of the most important tools in the arsenal of an Engineer, Music Producer & Artist alike. This is now a device that far surpasses its original intent which was to control the level of the sound automatically. Today we use different types of compressors for inducing a “Vibe” & “Feel” to our instruments, percussion, drums, and voice. Digital and Analog Compressors have come a long way, but some classics are still preferred even today because they are now as much a part of a genre or musical style that they are now deemed as musical instruments in their own right.

REDDI v1.0.3 WiN

Team R2R | 24 Sep 2021 | 10.4MB

..:: VST, VST3, AAX, x64 ::..

The original hardware REDDI is a legend among professional session players and commercial studio owners. Its hybrid tube/solid state gain circuits, beefy transformer, and oversized power supply have an uncanny ability to both reign in bass transients and punch them up. Without any eq – simply through its gentle tube shimmer – REDDI gets bass, synths, and guitars to ’sit’ in the mix with less processing and fuss. The REDDI plugin, then, is designed to be used as any analog DI would: first in the chain, as an initial treatment before compression, saturation or eq – imparting its unique tube sweetness to any instrument in your mix.

KORG LegacyCell v1.6.0 WiN

Team RET | 26 August 2021 | 16.16 MB

PLATFORM: STANDALONE/AAX*/VST2i

Introducing Legacy Cell from Korg, a Performance based plug-in that lets you freely combine two instances of the MS-20 and/or Polysix together along with a dual-effects processor for even more dynamic and unique sonic creations! It offers 127 presets with plenty of room for your own combinations. The MDE-X effects processor offers everything you could want from reverbs and delays to distortion and even the MS-20’s filter section is available as an effect. A virtual Korg microKontrol is built-in to the Legacy Cell too for real-time assigning and manipulation of any editable parameters, and it works instantly with a real microKontrol too! The bottom line with this whole package is great plug-ins, great sound, great results, great price!

.:Blyss v1.1.0 WiN:.

Team R2R | 2021.10.22 | 52.48 MB

PLATFORM: VST/VST3/AAX(MOD)

A mastering-style EQ, sandwiched inside six stages of delicate Saturation, feeding a dead-simple ‘finishing compressor’. It’s an EQ with a vibe, the likes of which could only come from Kush. Blyss Mastering Channel is a 3-stage processor designed specifically to make busses — both mix and instrument — sound “prettier”. It also happens to sound incredible on individual tracks too. While it has multiple cascading Saturations, a 6-band EQ and a mastering grade Compressor, all sections have been greatly simplified to reflect old-school approach to processing: less is more, choices are limited but comprehensive, and all sections are designed to work together, making it nearly impossible to produce a bad sound.

Electra DSP v1.6.0 WiN

Team R2R | 2021.10.22 | 12.93 MB

PLATFORM: VST/VST3/AAX(MOD)

The hardware Electra EQ set a high standard for fast, smooth, punchy equalization, and the Electra DSP’s precisely modeled filters embody that spirit flawlessly. The high shelf is surprisingly flexible, the bass reaches down to the floor. But those midrange filters have a magic proportional-Q, the more you boost the tighter they get. They’re so articulate, they can make drums sound like they were tuned and even mic’d differently. No matter how aggressively its set, Electra is relentlessly smooth and unapologetically analog in character.