Designed for easy startup and fast workflow, but with powerful features if you need them. 32 pads with essential effects, and with 8 sample layers per pad.
The original Massive, having helped define the sound of modern genres such as dubstep and EDM, became synonymous with an exciting, forward-thinking approach to synthesis that unapologetically embraced its digital DNA. Famous for its intuitive interface and sonic potential – from enormous basslines and soaring leads, to evolving ambient textures – it quickly became a staple part of many production toolkits. Massive X is Native Instruments’ new flagship synth, built by the same team as its predecessor. Based on a state of the art architecture, it delivers pristine sound, and huge creative flexibility for artists and sound designers alike – allowing them to create, modulate, and experiment with sound from a huge range of sources, in any way they like.
The original Massive, having helped define the sound of modern genres such as dubstep and EDM, became synonymous with an exciting, forward-thinking approach to synthesis that unapologetically embraced its digital DNA. Famous for its intuitive interface and sonic potential – from enormous basslines and soaring leads, to evolving ambient textures – it quickly became a staple part of many production toolkits. Massive X is Native Instruments’ new flagship synth, built by the same team as its predecessor. Based on a state of the art architecture, it delivers pristine sound, and huge creative flexibility for artists and sound designers alike – allowing them to create, modulate, and experiment with sound from a huge range of sources, in any way they like.
The original Massive, having helped define the sound of modern genres such as dubstep and EDM, became synonymous with an exciting, forward-thinking approach to synthesis that unapologetically embraced its digital DNA. Famous for its intuitive interface and sonic potential – from enormous basslines and soaring leads, to evolving ambient textures – it quickly became a staple part of many production toolkits. Massive X is Native Instruments’ new flagship synth, built by the same team as its predecessor. Based on a state of the art architecture, it delivers pristine sound, and huge creative flexibility for artists and sound designers alike – allowing them to create, modulate, and experiment with sound from a huge range of sources, in any way they like.
Loomer is a producer of high quality audio software for macOS, Windows, and Linux. Our software is built with a focus on superb sounds, versatility without complexity, and interfaces that encourage creativity. And with optimised audio algorithms that won’t overload your processor, rock-solid stability, and easy integration with any MIDI hardware controller, our instruments and effects are ideal for both live and studio work.
DUNE 3 builds on the award-winning DUNE 2 synthesizer, adding frequently requested features and innovative ideas, to create the best DUNE experience ever! DUNE 3 comes with many new patches crafted by expert sound designers. Since DUNE 3 is fully patch-compatible with DUNE 2, it includes its presets as well, doubling the factory library size to more than 1000 patches. The revised filter section in Dune 3 now sports a dual multimode filter plus an insert effect. Different routing modes like serial/parallel and seamless blend via the Balance knob allow for unlimited creative input! New filter types have been added as well, and include zero-delay feedback filters derived from our latest analog modeling technology. For creative applications, new insert effects like the formant/vowel filter or phaser greatly increase the range of sound design possibilities.
Mr. Sax T. employs an entirely new technology, developed by Stefano Lucato when it became clear that all the previously applied approaches simply could not do. The technical name is Synchronous Wave Triggering. It uses samples as a base material, chromatically performed by a professional sax player over a very wide dynamic range, and recorded with state-of-the-art technology. The resulting timbre is therefore that of the real instrument. But the analogy with a sample based library ends here. The underlying, proprietary technology allows continuous interpolation among different vectors like time, dynamics, pitch and formants.
