Chromium VA v1.0 VSTi x86 WiN
Team NEMESiS | 02/05/2006 | 2.39 MB
3 Oscillator synth with arpeggiator, double delay, stereo chorus and reverb.
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3 Oscillator synth with arpeggiator, double delay, stereo chorus and reverb.
Don’t get stuck in complexity, with MorphoX you just need the modulation wheel and the keys to experience yet unheard expression and transformation in sound. Morphing made simple, in realtime, drastic changes in sound, right at your morph wheel. When you experience the sound sculptures of MorphoX you wont believe its just a quite simple subtractive synth with chorus, delay and an arpeggiator. Its dead easy to create your own morphing sounds.
The Fender Stratocaster(R) is and has always been the most popular electric guitar since its creation in 1954. Its unique sound is the favorite of many of the world’s finest guitarists and has been featured on countless historic recordings in all genres of music. RealStrat sample-based virtual instrument faithfully reproduces the Stratocaster(R) sound from both the sonic and playability perspectives. Our advanced technology gives its users the freedom to create everything from simple strumming techniques to the most sophisticated solos.
If you are serious about creating truly realistic sounding solo and accompaniment guitar stuff for your songs, our product called RealGuitar is just what you need. RealGuitar is a sample-based virtual instrument with an innovative approach to guitar sound modeling and guitar part performing on keyboard. RealGuitar 5 is a combo of two instruments: Classic – all of our original guitar models with loads of new features, and Steel String – the debut of new guitar sample set with five patches and three tunings for each.
Poly-Ana is finally here! Get ready for a new experience in virtual analog synthesis! Poly-Ana uses a different approach than most other VA soft-synths which we feel delivers a sound more authentic to the early analog synths that inspired her features. This “brute-force” method admittedly requires more processing power than other common techniques, but is a far truer model of the functioning of real analog instruments. If you obsess over the quality of your sound like we do then you won’t mind using a bit more CPU power to help get you closer to that real analog sound; a sound that so many other VA synths fall too-far short of.
Kicklab XXL is the most advanced Kickmaking machine on the market, with the whole vst dedicated solely to the most important percussion element of any electronic track, the KICK!. Kicklab XXL is designed for producers who understand the importance of a good, solid Kick drum in their track. Often producers spend a large proportion of their time selecting, trimming, changing and balancing the Kick drum in their productions. It is the foundation and building block upon which all the other elements are set upon, and the reality is that a bad sounding Kick can quite simply ruin your track. For this reason many producers lean towards selecting a Kick drum sample over a “synthesized” Kick, for one simple reason…. Kick drum samples generally sound better. But the problem the producer is then faced with is a lack of control over tweaks and modifications to the sound of the Kick in a static sample. So layering techniques have developed over the years where a sample Kick is mixed with other Kick drums from different sources, Eq’d and pitch changed and mixed and tweaked…to create the desired result. Up until now this has been a combination of many different external techniques and processes all coming together, in samplers, external Fx plugins, synths and mixers. Enter…Kicklab XXL.
Hats is a drum synthesizer plugin dedicated to hi hats and cymbals sounds. It features two independent sources: synthesized noise and sample section. Instead of generic white or pink noise, the noise section features 6 square wave oscillators with different pitches and phases, like the famous TR808. The result is a noise sound with a controllable metallic character. The factory bank comes with more than 50 samples, ranging from rare analog drum machines to real acoustic hi hats and cymbals. Some of the samples were also processed with a classic Aphex Aural Exciter and recorded to tape with a vintage Revox B77 MkII.