KORG Opsix Native WiN MAC

Team R2R | 20 December 2024 | WiN: 152MB | MAC: 298MB

..:: AU, STANDALONE, VSTi, VST3, AAX, x64 ::..

Opsix is a digital synth unlike any other, with sounds to match. Instantly explore hundreds of fresh, cutting-edge sounds to inspire your next musical project! Go even further with the power of customization right at your fingertips. Front panel colored controls provide easy access for dramatic shifts in sound characteristics, from icy, sparkling chimes to fuzzy, deep basses. The opsix is an entirely new tool that reveals a world of frequency exploration and a wide range of dynamic possibilities.

LUFS Meter v1.3.1 WiN MAC

Team R2R | 16 December 2015 | WiN: 5.1 MB | MAC: 3.7 MB

…: AAX, AU, VST, VST3, x86, x64 :..

A plugin to measure and adjust the loudness similar to the human perception of loudness. It also provides a unique and fast way to create initial faders up mixes. All versions of the LUFS Meter are contained in one single plugin. At first it operates as the Evaluation LUFS Meter.

Goliath 2 v3.6.0 macOS

MORiA | 03 February 2025 | 57.45 MB

PLATFORMS: AAX/AU/VST3/64Bit

Goliath V2 features 4 Analog Modelled Processing chains featuring ALLOY (Nickel, Iron, Steel based Transformers), TUBE, TAPE & VINYL with a drive control plus a FET based envelope and a 3 band EQ. This is a truly revolutionary and “analog” sounding tool. Be prepared to be pleasantly surprised! What’s new ? Goliath, our top-selling plugin is back in a brand new avatar with a completely new sound engine and new features. This plugin now has 4 types of Saturation models – Alloy, Tube, Tape & Vinyl with Drive. We now use our Advanced DSP models featuring our own proprietary “Multi Convolution” & Component Modelling Technique to simulate “Real” hardware chains of analog gear. Additionally, the plugin now features a full FET compressor in its envelope section and a 3 band EQ plus a Low Cut Filter.

.:MU v1.6.4 MAC:.

GUiSEPPE | 03 June 2025 | 54.3 MB

There are several reasons to use a variable-bias tube compressor. One is the exceptional compression transparency that this kind of compressor can achieve, even when pushed into extreme gain reduction. Another – and perhaps the most common – is their ability to add cohesion or “glue” to buses, whole mixes and masters. Unfortunately, the original hardware is expensive and difficult to integrate with “in-the-box” workflows.

Echorec v1.7.4 MAC

GUiSEPPE | 01 June 2025 | 160 MB

The Echorec is a software emulation of the iconic echo/delay unit of the same name produced by the Italian brand Binson in the 1960s. The sound of this magnetic disk delay differs from the tape delays used at the time, and has largely contributed to the audio signature of many 70s bands: Pink Floyd, The Shadows, Jimmy Page etc. Vintage Echorec devices are known for their saturation, self-oscillation, and oversound, all shaping the music produced in the 70s. They are also, however, known to be fragile and difficult to maintain.

Pulsar 8200 v1.2.4 MAC

GUiSEPPE | 01 June 2025 | 112.46 MB

The paragon of EQs, reinvented. The best companion for your passive EQ. Pulsar 8200 is a faithful emulation of the legendary GML 8200 designed by George Massenburg*, the inventor of the parametric EQ. Full EQ control is a formality today, but it was a dazzling novelty back in the days. Just like the original machine, Pulsar 8200 gives you a tight and solid low end, a crystalline high end, and surgical control over the frequency spectrum. He perfectly replicates the all-discrete, Class-A analog electronics that made the original machine famous in the 80s, and still used today. Its parallel topology, coupled with unique filtering shapes, allows an intuitive and unique spectrum shaping, resulting in smooth curves, and a more natural result compared to classic digital EQ, maintaining its own “analog personality”.

1178 v1.5.4 MAC

GUiSEPPE | 01 June 2025 | 51 MB

Pulsar 1178 is an audio plug-in (VST3/AU) that meticulously recreates the original 1178 hardware compressor in its tonal color and compression character, while adding several additional features, turning it into a very versatile compressor for tracking and mixing. A compressor that eats transients for breakfast, the 1178 is a rare and expensive legend of the recording studio, cleaner and more versatile than its older brother, the 1176. 1178 further than the original unit, adding all the features you would expect from a modern, versatile plug-in, including a full sidechain EQ for added control, an optional saturation stage for warmth and character, and precise metering.