Crush Filter is a plugin featuring a combination of LowPass/HighPass filter and BitCrusher. It’s useful to create gritty distortion effects and give motion in combination with the envelope follower. The assignable knobs allow real-time control of all parameters for production fine tuning and live performance.
As a creative Musician, Artist, Producer or Engineer today, you need speed, inspiration, and Club, Radio ready mixes fast. The Slam Dawg is an audio processing plugin that can get your mixes to sound pro with easy controls. The SLAM DAWG was designed to take your mixes to the next level from just one plugin. We have carefully designed this plugin to be extremely intuitive, and easy to get “PHAT” results within minutes. Easily “HEAT” up your beats , busses, tracks or entire mixes by easily dialing in Tube Harmonics, making your sounds “FULL” & “RICH”, widen your tracks with full mono compatibility with just one dial, or dial in some “AIR” (High Frequency Clarity). Your tracks today need great Low End Management, and we have designed the perfect controls for that, just use the “BOOM” “THUMP!” & “MUD OUT” controls for just HUGE Low end without the problems.
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Not by tubes, nor by transistors, DeeComp realizes an ideal dynamics solution from software calculations. DeeComp brings you a wide variety of sound-making, including some specific sound that famous simulated/emulated comp VSTs or even hardware comps can never create. You can process any kind of sound sources to best result.
Blue Cat’s DP Meter Pro (DPMP) is a unique audio analysis tool: it combines very flexible and customizable audio meters with advanced side chaining control capabilities thanks to its MIDI and automation outputs. The metering capabilities of the DPMP plug-in let you control and monitor audio signals exactly the way you want: almost every aspect of the peak, RMS and crest factor meters can be customized. It proposes five different scales by default, including Bob Katz’s popular K-System scales (K-12, K-14, K-20), and you can create your own.
Capable of producing both a very wide range of classic analog sounds, and sounds no other analog synth can do, The XILS 3 LE V2.0 cumulates an authentic emulation of the Synthi ( VCS 3 ) modular synthesizer and a replica of the 256 Analog Sequencer, its natural companion. Add to the pile the Analog Chorus with its three modes, the analog Delay, and the vintage Spring Reverb … the picture emerges. In the XILS 3 LE V2.0, you can connect everything with everything, and you get more than 440 possible different connections per patch. At Audio Rate, so that each of the 6 oscillators can perform as an LFO for example.
Cumulus is a granular sampler which radically transforms sample content by breaking it into tiny slithers of audio called grains and reorganizing them to form new sounds. Cumulus is capable of a wide ranges of timbres: from evolving atmospheric soundscapes; to organic physical textures. Up to eight Scenes can be created; a Scene corresponding to a particular sample position and set of synthesis parameters. Scenes can be played in realtime via MIDI, or arranged internally using the built-in sequencer.
