Brusfri v1.2.0 macOS

MORiA | 16 APril 2021 | 11.50 MB

(AU, VST3, VST, 64Bit)

Brusfri* is a highly advanced audio noise reducer, packed into a simple and straight-forward interface. It is very well suited for cleaning up noisy audio recordings, while retaining sound quality. Unlike many other noise reducers on the market, Brusfri doesn’t mess with audio phasing to suppress noise (a technique that often comes with audible side effects). Instead, multiple fine-tuned gates are used to silence unwanted noise.

Studio Drums v1.2.2 macOS

CODESHiNE | 17 August 2020 | 188 MB

STANDALONE/AU/VSTi/VST3

Studio Drums is a new MPE drum engine, featuring 15 kits and 240 individual drum parts that can be swapped out to build your desired kit. With a Lightpad Block, you can achieve expressive control over each drum sound; add embellishments and modulate the sound of each pad using MPE gestures and macro controls.

Kryteria WiN MAC

P2P | 25.01.2020 | 6.76 GB

…::: AU, VSTi, VST3, x64 :::…

Kryteria is an amazing VSTi with High-Quality not only dose it sound good but This dynamic software was built for one of the hottest producers in today’s modern music. TrellGotWings. TGW has work with some of the best artist in the industry like Future / JuiceWRLD / Lil Keed / and Gunna and many more. Kryteria comes with 100 signature sounds made by TrellGotwings and S3miSosa. This Vst is perfect for today’s modern sound any music producer who loves to make Hip Hop to Trap, R&B, and Pop or Wavy beats Kryteria the best and most simple intuitive plugin to use, working with any Windows or Mac music program. Comes in both VST & Audio Unit (AU) format. Kryteria VST instrument comes loaded with a staggering 100 High-Quality Instruments ready to boost your beats! All the presets and sounds included were influenced by best-selling modern artists such as Lil Pump, Future, JuiceWRLD, Gunna, 21 Savage, Migos and many more …More expansion packs are coming soon!

SampleX v1.1.0 WiN MAC

Team RET | 11 Aug 2020 | WiN: 24.2 MB | OSX: 87.5 MB

“Vintage Sampler Emulator”

(Available in AU/VSTi/AAX – WiN/OSX)

SampleX brings you accurately modeled vintage sampler emulation. Dial-in the sample rate, bit rate, aliasing, input drive and filter settings to sound like any sampler, or design your own! Multiple sampler emulation presets already included. In today’s advanced age of music tools that seek the “cleanest”, most “perfect” sounds, there has suddenly been a desire for the “Gritty” sounds of the machines of the past. Once such quest has been the acquisition of old, primitive samplers and sample drum machines like the EMU SP1200, AKAI s900/950, and others. This has increased the rate of these machines to 10s of thousands of dollars. The sound that producers and artists seek in these boxes is usually the low bit rates and sample rates resulting in an “aliased” sound or “artifacts” as we now call them. These limitations of the vintage machines have now become very desired and sought after sound. Just sample rate reduction and “Bit crushers” have yet to actually sound like old machines.

CRTIV Chorus v1.3 WiN MAC

Team R2R | 9 August 2020 | WiN: 5.7 MB | OSX: 13.7 MB

(AU,VST,VST3,AAX*,x86,x64)

CRTIV Chorus is a stereo chorus effect AAX, AU and VST plugin for professional music production applications. Chorus is able to produce stereo-widening and weird modulation effects. Chorus plugin uses 4 operators for each channel thus creating a quite dense stereo chorus sound.

BMS v2.4 WiN MAC

Team R2R | 9 August 2020 | WiN: 5.5 MB | OSX: 13 MB

WiN32/64: VST/VST3/AAX | MAC: AU/VST/VST3/AAX

BMS is a bass management system AAX, AudioUnit and VST plugin for professional surround sound applications. BMS is able to extract and manipulate low-frequency content of non-LFE channels in up to 7.1 surround configurations. The main purpose of BMS is to simplify evaluation of low-frequency content present in non-LFE channels during mastering. At the same time, it is possible to mix extracted low-frequency content to the LFE (“Low Frequency Effects”) channel. An option to remove the extracted signal from non-LFE channels is also available. In BMS you can specify a desired frequency of the crossover filter, and adjust its steepness.

Slap Bass v1.1 WiN MAC

TALULA | 25 February 2020 | MAC: 9.57 GB | WiN: 6.36 GB

Slap Bass was sampled from a Fender Jazz electric bass guitar with Carvin J99 pickups and DR Hi-Beam bass strings directly into a Radial Pro48 DI Box. An extended range was obtained by tuning the E-string all the way down to a C. The low B (B0) of a standard 5-string bass was omitted do to “floppiness” from down-tuning. “Slap” and “pop” articulations were carefully and meticulously recorded for each note, although in the extreme upper range of the bass, do to tension of the string, normal notes starts to become indistinguishable from a pop articulations. Regular notes were recorded with a guitar pick, in order to maintain a semi-percussive and metallic sound.