Avid Sibelius 7.5 K ED for MAC OSX-msj

msj | March 19 2014 | 44 MB

Collaborate more easily thanks to full MusicXML interchange support and other sharing options. With all these advancements and many more, Sibelius 7 is the fastest, smartest, easiest way to write music.  Among the most significant improvements in this release are substantial performance improvements to both screen redraw and editing speed, improved support for 64-bit ReWire hosts, support for MusicXML 3.0 in both import and export, and changes in the way the single document interface works when closing score windows.

Compressor v4.1.1 MAC OSX

P2P | K ED | 13.03.2014 | 272 MB

Apple Compressor FINALLY k’d for OSX!! Enjoy!

Compressor adds power and flexibility to Final Cut Pro X export. Customize output settings, work faster with distributed encoding, and tap into a comprehensive set of delivery features.

NI Traktors 12 v2.0.0 UPDATE WiN MAC

R2R | 14.3.2014 | WiN: 11.35 MB | MAC: 2.73 MB

TRAKTOR’S 12 brings the intense buzz of the club to your studio productions or live stage performances. A dozen of TRAKTOR’s tried and tested floor-rocking effects have been adapted for easy use within your DAW.

The Independent Guide To the Mac 4th Edition

English | 260 Pages | True PDF | 39 MB

Featuring all the essential tips, crafty techniques and information you need, this fully updated 260-page publication is the definitive guide to whole Apple range for 2010/2011, and is a must have for any switched on individual. Covering the iPad, iPod, iPhone 4 and Mac desktops and laptops, the guide’s step-by-step masterclasses will help you do more with ease and in less time, and with workshops covering everything from editing movies to producing spreadsheets this really is the only Mac guide you’ll need.

Spring Reverb Type4 v1.0.1 AU VST UB WiN MAC

VST AU PC & MAC OSX UB REPACK-DYNAMiCS

Team DYNAMiCS & AiR & NEMESiS | 01-26-2009 | 6 MB

A spring reverb is a system to obtain artificial reverberation invented during the 40’s by Laurens Hammond (also inventor of the Hammond Organ). In a Spring Reverb pan, the audio signal is coupled to one end of the spring by a transducer (a device that can convert electrical energy into mechanical energy or viceversa). This creates waves that propagate through the spring in both directions. At the other end of the spring there is another transducer that converts the motion in the spring into an electrical signal, which is then amplified and added to the dry sound. Most spring reverb units use several springs together, with each spring having its own characteristics (length, dimensions, tension, etc.) resulting in a natural reverberation by summing several delayed sounds at fixed or random intervals. However, with real spring reverbs the user isn’t allowed to change these characteristics. A software simulation like Type4, on the other hand, allows you to adjust parameters like “decay” (reverb duration), the dampening factor, the virtual spring tension and other parameters that affect the overall timbre of the reverb effect. Why should you want to use a spring reverb rather than a precise and modern digital reverb? Spring reverbs have typical sonic characteristics that, nowadays, make them desirable mostly as effects on their own rather than simulations of an acoustic phenomena.

WVS Reel ADT AU VST VST3 RTAS MAC OSX

msj | 10.3.2014 | 40.5 MB

WVS/Abbey Road Reel ADT is the first plugin to successfully emulate Abbey Road Studios’ pioneering process of Artificial Double Tracking. The effect that would become an integral part of Abbey Road’s signature sound was initially created at the famed studios in the 1960s to meet the needs of some very special clients: The Beatles. Reel ADT puts the magic of that era in your hands within seconds. Using its intuitive controls, you can advance or push back the doubled signal to achieve genuine, lush-sounding delay and pitch variations. You can also drive each of the signals separately to add beautiful tape saturations.

SpinAudio Roomverb M2 VST AU MAC OSX

Team ArCADE | 09.22.06 | 10 MB

RoomVerb M2 is based on Virtual Room Acoustic modeling technique that allows to simulate various acoustic spaces from small bath rooms to huge open spaces using a single set of parameters. Such an approach provides a unified way of controlling reverb and removes the limits inherited in traditional reverb design schemes based on either pre-defined algorithms or pre-calculated room response patterns. The plugin processing DSP core has a flexible modular design that supports dynamic host CPU loading. This means that if you don’t need a certain reverb function you can switch it off, reducing the CPU load.