ABY Electric Bass v4.0.1 WiN MAC
Team R2R | 18 May 2025 | WiN+MAC: 4.7 GB
..:: STANDALONE, AAX, AU, VSTi, VST3, x64 ::..
ABY aim to bring the Fodera Yinyang Bass sound to your studio.
Viewed 109662 By Music Producers & DJ´s.
ABY aim to bring the Fodera Yinyang Bass sound to your studio.
Sampling: 2709 Samples, Size: 3.71 GB, 24bit 44.1khz, DFD(Direct from disk), Rich Fingering Noise – more vivid and realistic, Each Cycle & Rhombic Sampling structure – Separate sample cycle for each note and vel layer to improve sample utilization, Sustain, Palm Mute, Natural Harmonic, Hammer On & Pull Off, Legato Slide, Slide in & out, Slapping, Popping, Tapping, Accentuated, Staccato, Dead Note 14 articulations, Legato at random length & pitch & poly.
4 Layers X 6 Banks X 600 Unique Samples X 14 Effects! Do you know what that means…? We’re very proud of what we have developed. Ladies and Gents Say hello to a NEW WAY of Sample layering! A New Landscape of Sound Design… the TAWUS 🦚 Tawus is equipped with 4 Sampler engines and 14 Effects that allow you to combine 600 samples and create 1 unheard creative sound that nobody else has, a new world of layering that puts Tawus in a different class than any other MultiLayer Virtual Instrument.
Introducing Reach – the ultimate reverb plugin for synthetic sounds. Whether you need to add depth and dimension to your synths, drums, guitars, vocals or any other source, Reach can help you achieve stunning results in minutes. Reach lets you create realistic or surreal spaces with ease. You can adjust the size and decay of your reverb to match any environment, from small rooms to large halls. You can also shape how your early reflections bounce around using the diffusion knob, and fine-tune their brightness using the damping parameter. But that’s not all. Reach also gives you creative options to spice up your reverb tail with modulation and saturation. Add subtle movement or dramatic swirls with the mod knob, or dial in some warmth or grit with the drive knob. You can even mix between two different saturation modes for more sonic variety.
In 1988 Sony released the DAL-1000 Digital Audio Limiter. A limiter designed to master tracks for compact disc. Later it became a secret weapon for hiphop beats, drums and vocals. We simplified the controls and made it a whole lot more fun to get loud.
• Downsamples .wav .mp3 and .aiff files on load to commodore amiga 22khz and 8 bit frequencies for authentic crunch! It even loads .iff amiga format samples for all the amigians out here • Different Sample modes: Chromatic Mono, Polyphonic including one note chord mode & Slice mode to trigger different slices by note. • Timestretching modes in realtime AKAI style and fully automatable, what more can we say about this one :-)
Do you have a bass that you like but it doesn’t have strength? Your drums don’t sound powerful? Don’t worry, Senpai Saturation is what you need.