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  • Bitwig Studio 5 v5.3.13 WiN MAC LiNUX

    Bitwig Studio v5.3.13

    P2P | 03.09.2025 | WiN:322MB | macOS:508MB | LiNUX:353MB

    Modern music production and performance.

    Bitwig Studio 1 was hello, world! Version 2 brought program-wide modulators and CV integration. Version 3 saw the birth of The Grid, our modular sound-design environment. And for version 4, new musical timelines have arrived. This means comping for audio clips, both in the Clip Launcher and the Arranger. A new set of Operators, for changing the chance, recurrence, and more of any note or audio event. Random Spread for any expression point (like per-note pitch, or audio panning) with perfect control. And Native Apple Silicon support on Mac, even allowing Intel and ARM plug-ins to work side-by-side. Welcome to Bitwig Studio 4...


    Viewed 122549 By Music Producers & DJ´s.


  • P11 Abyss v2.2.3 U2B macOS-MORiA
    August 23rd, 2025 ⚡
    Categories:

    P11-Abyss-MaGeSY-MaGeSY

    P11 Abyss v2.2.3 MAC

    MORiA | 23 August 2025 | 79.29 MB

    ..: AU, VST3, 64Bit :..

    P11 Abyss is a chameleon audio compressor that can go ultra clean competing against the cleanest of mastering compressors or super dirty to compete against the best of the color compressors. Modern producers, engineers and artists should not be constrained by the need to understand different characteristics offered by the multitude of physical compressor topologies. They should not need to project and translate that information into selecting the right tool for the right purpose. One would choose VCA when seeking deep, aggressive punch; Opto for clean, open, smooth action; Vari Mu for flowing, rhythmic pulsing.


    Viewed 166662 By Music Producers & DJ´s.


  • Preparation 1 v1.1.8 AAX AUi VST2i VST3i 64Bit macOS-HCiSO

    Preparation v1.1.8 MAC

    Team HCiSO | 19 August 2025 | 7.92 MB

    Preparation is a physical modelling instrument based on nonlinear models of strings and collisions. Physical modelling of prepared strings Preparation is based on mathematical modelling of 2 basic elements; strings which can be configured as bars, and a rattling element. Each voice has a pair of strings connected by a rattle that reacts to the vibrations at each end. This uses the latest research in collision modelling to calculate the acoustic system in real-time. The strings have parameters for nonlinearity, inharmonicity, sustain and tone. The rattle has controls for the mass at each end, the gap from the strings, the stiffness, edginess, strength and its position. A low shelf EQ, overdrive and reverb units complete the signal chain, giving a wide range of sounds from cutting leads to epic soundscapes. See this tutorial post for further details.


    Viewed 16119 By Music Producers & DJ´s.


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