Sound From Different Types Of Harp Guitars: Tonedevil – The Freedom Harp, HarpLyre, Holloway, Mandolin, Chitarpa, Balalaika, Knutsen guitar, Harp-Lyres, Zither, Tamburica.
The Commodore takes you back in time to the classic sound of 1960s Detroit soul and Memphis R&B with a deep-sampled library of authentic rhythm guitar sounds for Native Instruments’ Kontakt. This library of five highly-playable and inspiring patches features a vintage Fender Telecaster recorded direct through a restored Altec tube mixer achieving the unmistakable Motor City DI guitar tone. This timeless sound is equally at home in modern genres such as Pop, R&B, and Nu-Disco, as it is in vintage-inspired productions. The content in this collection combines the ease and inspiration of loop-based production, with the flexibility and control of a full Kontakt library. The Commodore will have you whipping up authentic sounding soul and R&B in no time.
Fender Rhodes Mrk1 Extended
The Silk Rhodes is a recorded 1975 Rhodes Mark1 captured with a boutique vintage signal chain. It was outfitted with per-tonebar piezo pickups to allow for a fuller sound. And the sounds were triggered by us plucking, bowing or hitting the tines inside the rhodes.
Instruments for drifting in icecold surroundings. Ice cold sound design and instruments. Cinematic patches inspired by being on the Arctic Plateau. A sample-library that features a range of sounds inspired by coldness. Plateau will transport your audience to the frozen tundra, evoking a sense of isolation and desolation. Sounds were created by re-synthesizing recordings of strings, flutes, bowed guitar, and prepared piano, giving them a distinct and evocative quality. In need for pathways to shilling scenes and spine-cold scenery? Here you go. Arctic Soundscapes Re-Synthesized From Strings, Flutes, Bowed Guitar And Prepared Piano●
Sampled from a re-capped well maintained vintage Soloist. But be warned : Just like the original, it is not for everybody’s taste. It is a non-polite grispy and grumpy thing. Originally designed as a tool to quickly emulate different instruments, like cello, brass, piano, violins and fuzz guitar. It has 30 presets, but many of them sounds more or less alike. So we slimmed it down to the 19 best sounding ones. This synth possesses a distinct, assertive, and crispy character. Our most inspiring sessions have been when we fervently relied solely on sounds from the Soloist, allowing the sounds themselves to take the lead! A monophonic analog synthesizer introduced in 1972. With its many presets sounds, including Flute, Bassoon, Brass, Fuzz Guitar, and more, this synth offers a nostalgic and lo-bit sonic palette.
Decoded from a diskette of unknown origin, Lair is a transporter through when and where, retooled as a reverberation effect. Combining three bespoke reverberator devices with an expansive collection of intricate parameters and chaotic modifiers, Lair is your door to familiar, abominable, and alien worlds.
Welcome to Shadow Strings, a darker side of the cello that can add suspense, mystery, and a sense of uniqueness to any of your compositions. Created by cello player and professional virtual instrument maker Ben Osterhouse (Osterhouse Sounds), this ground-breaking Kontakt sample library pushes the boundaries of traditional cello sounds to offer a rich tapestry of unconventional textures and effects. When recording sample libraries, you want to capture the best sounds from an instrument. You try to have clean starts and stops, an expressive tone, and balanced dynamics across every sample. With all this in mind, it can be difficult to keep a spontaneous, fresh feel to the samples. It can turn into a chore. The goal during planning and development this library was to avoid as much chore-like recording. Everything is played with abandon, then heavily curated and edited later to highlight the best moments.
