Griddy Organ Grooves 4

FANTASTiC | 28 April 2023 | 181.94 MB

‘Griddy Organ Grooves 4’ features soulful organs played by professional musicians. This product has some of the most soulful organ loops that you will ever hear. This pack will bring a wide array of character and color to any production. With vibrant Soul, Funk & Jazz that will blow you away, these Hammond organs give you patterns to add to your collection. RnB, Hip Hop, Neo Soul and Jazz producers have always appreciated the rich quality that a Hammond organ brings to music.

Griddy Organ Grooves 2

FANTASTiC | 28 April 2023 | 258.89 MB

‘Griddy Organ Grooves 2’ features soulful organs in 6 Construction Kits, all played by professional musicians. This product has some of the most soulful organ loops, clav, exclusive organ pads, strings, bass and much more. This pack will bring a wide array of character and color to any production. With vibrant Soul, Funk & Jazz that will

Heritage Organ 2 WiN MAC

Team R2R | 06 Nov 2022 | WiN: 35.4MB | MAC: 56.7MB

..:: AU – VST3 – x64/64Bit ::..

Universal Synthetic Organ A brand new instrument by SoundFingers, Heritage Organ is a unique tool for all your productions. Made for modern productions, it features a new way of designing your sound. For Reggae, Dub, Funk, Soul, Blues, Rock… All genres where you’ll need a great organ sound.

1731 Gottfried Silbermann Organ

P2P | 30 October 2022 | 6.09 GB

The instrument is located in a historical village church in East Germany near Dresden, based on a church of the 13th century, which was reconstructed and extended during the following centuries, last in 1742. The church acoustics is dry and clear because of the large amount of wooden installations. The organ was built in 1729-31 by Gottfried Silbermann of Frauenstein/Sachsen, Germany. Gottfried Silbermann organ types can be divided into different architecture classes. This instrument represents a typical Silbermann middle-sized church organ and was one of the favourite instruments of Helmut Walcha and Herbert Collum/Kreuzkirche of Dresden. Typical Gottfried Silbermann organ features are strong and sharp aliquote stops, such as the 1 1/2′, 2′ and 3′, rich and warm 8′ Principal stops and bright superoctave stops, such as the 4′, 2′ and 1′. There are very characteristic basic stops such as the Rohrflöte 8′ and Quintadena 8′. The resulting sound is bright, clear and sonorous. The organist doesn’t need many stops to achieve a rich plenum registration. The organ is tuned to the so-called historical “Chorton” (a1=465 Hz).

Heritage Organ v1.0.0 WiN MAC

Team R2R | 22 March 2022 | WiN: 8.1MB | MAC: 19.8MB

..:: AU – VST3 – x64/64Bit ::..

Heritage Organ is a unique instrument. Made for modern productions, it features a new way of designing your sound. For Reggae, Dub, Funk, Soul, Blues, Rock… All genres where you’ll need a great organ sound.

Organ B3 Funk WAV

FANTASTiC | 19 March 2022 | 174 MB

‘Organ B3 Funk’ is funky organ product that has some of the most soulful and funky organ loops around. It includes seven Construction Kits that will bring a wide array of character and color to any production.

Krzeszow Poland HAUPTWERK

P2P | 01 November 2021 | 11.33 GB

The instrument was built in 1732-1737 by Michael Engler. A representative instrument of the Silesian organbuilding has 3 manuals and a pedal, alltogether 50 stops. The Positiv occupies the lowest manual and is positioned in two small cases in the balustrade. One case is dedicated for the C part of the windchest the other for the D part. Hauptwerk (2nd manual) and Oberwerk (3rd manual) and the Pedal are located in the main case which spans wide through the full width of the church nave. The Oberwerk occupies the center of the case, Hauptwerk is divided into the C and D side to the left and to the right of the Oberwerk, and the Pedal is located in the two side towers and at the back of the organ case. All the three divisions are perhaps surprisingly situated on the same horizontal level, although this design is rather common in the Silesian (and Central-Germany) organ building of the period. The “Werk-Prinzip” was not abandoned, but restructured. Perhaps, the general idea of this design was to achieve more homogeneous sound.