Mastering Limiter VST x86 WiN

HY2ROG3N | 22.09.2015 | 1.44 MB

The Mastering Limiter is a high end audio processing advanced peak limiter designed to maximize both the level of the digital signal and the resolution of your final rendered file. The Mastering Limiter’s lookahead peak limiter algorithm provides the mixing and mastering engineer with the capability to increase resolution and production master levels with precise control. Specifically designed for mastering, digital editing, multimedia, and any application that requires limiting of the digital signal with highest quality; the Mastering Limiter is perfect addition to your mixing and mastering tool set. In order to ensure the maximum possible resolution of a processed signal, it is very highly recommended that the Mastering Limiter be used last in the processing chain.

UAD 1176 Limiter Collection Explained TUTORiAL

Team MATRiX | March 14 2015 | 235.04 MB

THE NO LIMIT LIMITER

There is no classic limiter like the UREI/Teletronix/Universal Audio 1176, and no studio expert to explain the Universal Audio UAD 1176 limiter collection to you like Brock Jon! Beginning with a historical look at why the 1176 series limiters are so coveted by audio pros worldwide, Brock gives you an overview of the three emulations in this collection. Next, he dives right into how to set the input and output of the emulations using the vintage style VU meters. After that, Brock explores the rest of the main controls of the 1176 including the Attack, Release, and Ratio Controls, as well as the infamous “All-Buttons” Mode. Moving on, Brock gets into practical applications of the 1176 limiter collection. Using copious audio examples, he shows you how to apply the different 1176 emulations to Drums, Guitars, and Vocals, and even shows you how to build the classic vocal chain: the UAD 1176 emulation into a UAD LA-2A emulation. Finally, he applies the Fairchild Compressor to the Master Buss.

112dB Big Blue Limiter v1.1.0 VST RTAS WiN

Team ASSiGN | 22 AUGUST 2010 | 11 MB

Big Blue Limiter is a character limiter. It is neither transparent nor intended to be. In fact it adds a little mojo to everything you run through it, if desired even when no limiting is taking place. Big Blue Limiter uses analog tube modelling in its limiting circuitry, which makes any limited warmer and fatter by adding a pleasing amount of coloration. And as if that weren’t enough it also features an independent preamp that just loves to be overdriven. Whenever your material lacks character or oomph you will find that Big Blue Limiter is exactly what it takes.

Zener Diode Limiter LM-2Z v1.0 VST WiN

HY2ROG3N | 16/6/14 | WIN: x86 VST | 4.06 MB

LM-2Z is limiter based on design and sound of hardware analog limiters which are using Zener diodes as main component. Limiter is device that removes unwanted peaks/overloads of signal and makes sound louder. Comparing to classic digital brickwall limiters, Emulation of analog zener limiter offers more transparent, liquid and airy sound and significantly less distortion and unwanted artifacts! While analog limiters are not 100% precise (they can pass some peaks and cause clipping of output signal) we added algorithm that do not allow passing any db of signal over level set by output knob. So this limiter combines best features of analog and precise digital limiters in one.

Limiter v1.0 VST WiN x86-HY2ROG3N

HY2ROG3N | WIN: x86 VST | 1.73 MB

A simple and easy to use limiter on your productions, I think the ratio is infinite. Tames peaks on masters perfectly well. Easy to use meters.

STN 165a Compressor Limiter For Nebula 3 Pro

Team MAGNETRiXX | 25 February 2014 | 164 MB

The 165 changed the method & usage of audio compression when released. The 165 vca design was a 1st in the industry & set the standard for countless compressor designs afterward. A continually growing capture collection from the 165a Compressor/Limiter Captured via Lynx conversion @ 24/96.

VM-Comp Limiter Master For Nebula

Team MAGNETRiXX | 13 February 2014 | 26.17 MB

Variable Mu is known for it’s smooth polishing “GLUE”. A classic “auto leveling” tool. Retains transient relationships within a mix. Allows control of the overall macro dynamics. Flattering 2-bus frequency curve. Smooth tube sound signature. (Wanting punch? checkout the DME 1968 & 165a) Captured via Lynx conversion @ 24/96. Variable Attack/Release