Wine Glasses v1.2 KONTAKT

TEAM MAGNETRiXX | 07 January 2014 | 32.5 MB

Wine Glasses represents the unused wine glasses of all shapes and sizes Elements session. These are dynamic and have several combos. Each Sampler Instrument comes with 12 MIDI key selectable groups that you can adjust the ADSR, HP and LP Filters and add Convolution Reverb, Chorus, Flanger, Phaser, and Delay. Sampled at 96k/24 bit, these cinematic samples are very useful singe play sounds.

Boom Bap Nostalgic KONTAKT

DISCOVER | 07 JANUARY 2014 | 20 MB

Boom Bap Nostalgic is a brand new library for NI Kontakt. If you like super tight, clean drums then this is not for you. But if you love that vintage vinyl feel – then you’ll love this library. Vinyl Drum Samples > Akai MPC 60 / Akai S950 = CRUNCHY DRUMS These samples have that gorgeous, warm crackly goodness that only comes from real, vintage processing using the Akai MPC60 and Akai S950. These legendary samplers added that sexy 12-bit crunch to this library!

Solo Violino Virtuoso v.2.0.0.2 KONTAKT

TEAM MAGNETRiXX | 07 January 2014 | 1.86 GB

SOLO VIOLINO VIRTUOSO

is a virtual instrument combining the most advanced techniques in sampling, synthesis and physical modeling to deliver the most realistic sound to this day combined with unprecedented versatility in a virtual stringed instrument.

VSL Brass II Series – Bass Trumpet KONTAKT

VSL Bass trumpet Performance Legato Extract | 510 MB

This is Kontakt 5.3 instrument. It will not work with any earlier versions of Kontakt.
Instrument samples are compressed. Instruments use from 8 to 45 MB of RAM alone. Do not use much cpu and the modulation wheel is not assigned to anything.

SonicCouture Abstrakt Bass KONTAKT

06.10.2008 | DYNAMiCS | RAR SIZE 775 MB

FORMAT….: KONTAKT

A One-Stop Bass shop – Electrics, Upright, Drones, Dub basses, dry snappy synths, massive snarling filter sweeps, evil distorted groans and moans – all in one package. Every type of Bass sound is covered in the Library, making it incredibly simple to load up the exact bass you need in seconds – or scroll through instruments to try out lots of different basses in your track. Each of the 140 Kontakt instruments offers a huge range of control over the sound. Each instrument is a mini-synthesiser in itself! 8 control knobs are instantly accessible in the rack view of Kontakt, allowing you to simply tweak the attack time or filter cutoff, or to completely re-shape the entire sound – it’s up to you.

Soniccouture Kim EXS24 KONTAKT

05.18.2007 | DYNAMiCS | 1 CD | RAR SIZE 353 MB

FORMAT….: EXS24/KONTAKT

The Kim is a type of dulcimer or zither from Thailand, and is related to the Chinese yangqin. Sometimes spelled khim, the instrument consists of a flat soundbox with 42 wire strings stretched across in 14 sets of 3. The courses are struck with two thin bamboo mallets with soft leather tips. The Kim is not a very loud instrument, and is typically played with a lot of tremolo. As there is no damping mechanism, the strings ring to their natural decay, and this gives an eerie resonance to the background of a Kim performance. The Kim is used in both solo and ensemble situations. The Kim was sampled at 24 bit /44.1 and contains 137 seperate unlooped samples. Each note was sampled individually with up to 5 velocity layers, twice, to give an extremely natural, expressive response. This extremely unusual instrument can add an atmospheric edge to all kinds of production, from film scoring to ambient soundscaping to folk.

SonicCouture Gu Zheng KONTAKT DVD

SUNiSO | Gu Zheng | 05.2009 | KONTAKT | DVD | 1,19 GB

The Guzheng is a traditional Chinese instrument dating from the Qin dynasty (c. 200 BC to the rest of us). It is the ancestor of the Japanese Koto as well as several other zither-like instruments found across east Asia.The SC Guzheng has been extensively recorded in 24 bit 44.1khz stereo. Three articulations were sampled: right hand (finger picks), left hand (flesh), and harmonics (finger picks). Up to ten velocity levels, three round robin alternations for the right hand, and two round robin alternations for the left hand. This ensures natural attack transients with no ‘machine-gun’ repetition.