VSL Brass II Series – Bass Trumpet KONTAKT

VSL Bass trumpet Performance Legato Extract | 510 MB

This is Kontakt 5.3 instrument. It will not work with any earlier versions of Kontakt.
Instrument samples are compressed. Instruments use from 8 to 45 MB of RAM alone. Do not use much cpu and the modulation wheel is not assigned to anything.

SonicCouture Abstrakt Bass KONTAKT

06.10.2008 | DYNAMiCS | RAR SIZE 775 MB

FORMAT….: KONTAKT

A One-Stop Bass shop – Electrics, Upright, Drones, Dub basses, dry snappy synths, massive snarling filter sweeps, evil distorted groans and moans – all in one package. Every type of Bass sound is covered in the Library, making it incredibly simple to load up the exact bass you need in seconds – or scroll through instruments to try out lots of different basses in your track. Each of the 140 Kontakt instruments offers a huge range of control over the sound. Each instrument is a mini-synthesiser in itself! 8 control knobs are instantly accessible in the rack view of Kontakt, allowing you to simply tweak the attack time or filter cutoff, or to completely re-shape the entire sound – it’s up to you.

Soniccouture Kim EXS24 KONTAKT

05.18.2007 | DYNAMiCS | 1 CD | RAR SIZE 353 MB

FORMAT….: EXS24/KONTAKT

The Kim is a type of dulcimer or zither from Thailand, and is related to the Chinese yangqin. Sometimes spelled khim, the instrument consists of a flat soundbox with 42 wire strings stretched across in 14 sets of 3. The courses are struck with two thin bamboo mallets with soft leather tips. The Kim is not a very loud instrument, and is typically played with a lot of tremolo. As there is no damping mechanism, the strings ring to their natural decay, and this gives an eerie resonance to the background of a Kim performance. The Kim is used in both solo and ensemble situations. The Kim was sampled at 24 bit /44.1 and contains 137 seperate unlooped samples. Each note was sampled individually with up to 5 velocity layers, twice, to give an extremely natural, expressive response. This extremely unusual instrument can add an atmospheric edge to all kinds of production, from film scoring to ambient soundscaping to folk.

SonicCouture Gu Zheng KONTAKT DVD

SUNiSO | Gu Zheng | 05.2009 | KONTAKT | DVD | 1,19 GB

The Guzheng is a traditional Chinese instrument dating from the Qin dynasty (c. 200 BC to the rest of us). It is the ancestor of the Japanese Koto as well as several other zither-like instruments found across east Asia.The SC Guzheng has been extensively recorded in 24 bit 44.1khz stereo. Three articulations were sampled: right hand (finger picks), left hand (flesh), and harmonics (finger picks). Up to ten velocity levels, three round robin alternations for the right hand, and two round robin alternations for the left hand. This ensures natural attack transients with no ‘machine-gun’ repetition.

VSL Horizon Series – Concert Guitar

Chords – KONTAKT 5.3 Library

VSL Horizon Series | Chords Library | KONTAKT 5.3 | 1 GB

This is Kontakt 5.3 instrument. It will not work with any earlier versions of Kontakt. The Vienna Concert Guitar is from the single instrument series of VSL. I have compiled this instrument out of giga files, which are the only ones that can be found on the net regarding Concert Guitar.

VSL Brass II Series – Wagner Tuba KONTAKT 5.3

VSL Wagner Tuba Performance Legato Extract | 545 MB

The Wagner tuba combines tonal elements of both the French horn and the trombone As the name suggests, this instrument was designed by Richard Wagner for his “Ring des Nibelungen”. These are Kontakt 5.3 instruments. Will not work with any earlier versions of Kontakt.  Instruments’ samples are compressed. Instruments use from 20 to 60 MB of RAM alone. They do not use much cpu and the modulation wheel is not assigned to anything.

Street Bukit KONTAKT

TEAM MAGNETRiXX | 04 January 2014 | 1.4 GB

The Street Bukit is a deep collection of classic DIY (“Do-It-Yourself”) drumkit sounds that are found in improvised urban street performers’ drum kits. Common to cities around the world, you’ll often find street drummers playing an ecclectic variety of large and small plastic buckets, pots, pans and other scrap and found objects arranged into a rough sort of drum kit. They play with marching or rock drum sticks, jazz brushes, mallets and hands, with specialized technique for producing kick drum sounds – they left the edge of a large bucket with the side of their feet and them stomp or drop it back down in different ways to produce unique lo-fi “bass drum” sounds. As raw a concept as this might seem, skilled street bucket drummers can be profoundly virtuosic, with complex, highly nuanced rhythms, grooves and cadences ranging from drum corps to break-beat to drum n’ bass to industrial and tribal.