Bureu Organ KONTAKT

FREE | 15/07/2014 | 1.19 GB

Originally sampled by professional organist Lars Palo and released under a Creative Commons liscense, this a 40 stop organ has been converted to Kontakt 5 by bigcat Instruments. Thanks to scripting by Matt McKay, this organ is the most extensive instrument we have ever released. It features over 100 Reverbs, Unison X, Stereo Enhancement, a 4 band Solid EQ and other effects like Chorus, Phaser and Surround Panning. According to John’s Organ Works, a 40 stop organ has 1,099,511,627,780 combinations, toss in the ability to change almost everything about this organ’s sound, then multiply in over 100 reverbs and you have the ability to customize your sound to an astounding degree. There are two buttons / lights under the organ stops. The left one turns that stop on while the right one unloads that stop from memory, so if you are running low on memory you can easily unload samples you aren’t using.

Exposure KONTAKT

FREE | 15/07/2014 | 331 MB

Sound library EXPOSURE is dedicated to a memory of Tim Conrardy (1957 – 2009). Tim was a musician and excellent sound designer. He was interested also about astronomy. Sound library EXPOSURE is focused on this theme. It includes ambient pads, atmospheric sounds, melodic and ambient loops and some arpeggios in overall 52 presets. Most of the samples in EXPOSURE were made with Golden ASET.

Bodhisphere Ableton Live KONTAKT

P2P | 6 february 2011 | 408 MB

A collection of twisted textures, warped soundscapes and mangled mayhem inspired by the celebrated Buddha Machine. Bodhisphere is a unique collection of twisted textures, warped soundscapes and mangled mayhem inspired by FM3’s celebrated Buddha Machine . Complete with 5 menus of high quality 24-bit audio, Bodhisphere joins Puremagnetik’s “spheres” collection as a lush resource for sound designers, film composers or anyone looking to get their hands on some seriously tricked out audio!. Formats included: Ableton Live, Kontakt, Logic, WAV.

Puremagnetik Vespine MicroPack KONTAKT

P2P | 13/07/2014 | KONTAKT | 429.40 MB

Includes over 30 expertly tailored programs that fully capture the characteristic charm of the legendary EDP Wasp synthesizer.
The Wasp is a quirky little synthesizer that, despite its toyish look, is quite capable of funky analog sounds. It really is black and yellow too, just like the insect it is named for. Probably its most distinguishing feature is the keyboard and its non-moving touch-sensitive keys. That`s right, the flat little keys are only sensitive to your electro-static touch. It`s a nifty technology for 1978, but in reality they are difficult and unreliable to play. The WASP is powered by two digital oscillators supported by analog filters, envelopes and controls. This makes it one of the earliest digital/analog hybrid synthesizers to come in such a compact package, and it sounds great! The Wasp offers flexible and traditional synthesis of cool bass, synth, and other classic monophonic sounds. Its designer, Chris Hugget, also designed the Oxford Synthesizer Company`s OSCar Synthesizer. The Wasp has been used by 808 State, Dave Holmes, Vince Clarke, WhiteHouse and Add N to (X).

Puremagnetik Punchpak for KONTAKT

Team NoGRP | 10-11-2007 | 36.10 MB

A collection of sounds created from the 8 bit synthesizer chip on the classic Nintendo® (NES) gaming console. Put a classic Nintendo console in your sound production workstation. Puremagnetik sound designers have extracted this collection of blippy programs from the internal synthesizer of a classic NES. The NES board supported a total of five sound channels. These included two pulse waveduty cycle (12.5%, 25%, 50%, and 75%), with a volume control of sixteen levels, and hardware pitch bending supporting frequencies ranging from 54 Hz to 28 kHz. Additional channels included one fixed-volume triangle wave channel supporting frequencies from 27 Hz to 56 kHz, one sixteen-volume level white noise channel supporting two modes (by adjusting inputs on a linear feedback shift register) at sixteen pre-programmed frequencies, and one delta pulse-width modulation channel with six bits of range, using 1-bit delta encoding at sixteen preprogrammed sample rates from 4.2 kHz to 33.5 kHz, often resulting in poor sound quality. This final channel was also capable of playing standard pulse-code modulation (PCM) sound by writing individual 7-bit values at timed intervals.

Puremagnetik Blip for KONTAKT

Team DYNAMiCS | 01/29/2009 | 36.08 MB

A unique collection of instruments, kits and looped beats sourced from the original Atari 2600 sound chip. Blip instantly transforms your computer into a lo-fi and gritty sound source that contains the full sonic palette from classic video games such as Pong and Space Invaders. Each sample program contains raw waveforms from the Atari 2600 that have been layered and processed for use in a modern software sampler. Blip’s Kontakt instruments and loop programs come loaded with effects, modulation routings and custom KSP GUIs for instant tweaking.

Analog Bass Vol.1 LiVE KONTAKT WAV

P2P | 14 June 2011 | 397 MB

LiVE KONTAKT WAV

An impressive selection of over 50 multisampled programs direct from classics such as the Minimoog, Roland TB-303, ARP 2600 and the Doepfer Modular.