VIRELIA’s engine mimics the harmonic interplay of analog circuits, with vacuum tube distortion that evolves continuously based on the interaction between EQ and compression — delivering harmonic bloom, low-end weight, and high-end smoothness that feels unmistakably analog.
Harmonic Tides is an aetherial sound-designed string library crafted from delicately resonant cello and double bass string harmonics. Harmonic Tides with the specific goal of making a uniquely expressive textural sound designed instrument ideal for film scoring. His goal was to create a custom scoring tool that could be just as expressive, versatile, and nuanced as a typical orchestral string library. It’s perfect for modern arrangements and film/game scores whenever lush swells and huge waves of intense feeling are called for. Harmonic Tides has two primary sound sources. The first is a shimmering, delicate and airy texture derived from layered celli harmonic glissandi. This patch is designed to add organic movement to music. Every key is sampled with four dynamic layers. The second sound source is a sharp, hollow sound derived from layered samples of bowing the after-length of strings on a double bass between the bridge and tailpiece. This sound is designed to add subtle tension and movement to music. Both articulation sets feature a wide chromatic and dynamic range, allowing them to be played expressively live with a keyboard or other midi controller.
Meet The Purafied 5420, a dual-engine harmonic tone machine that delivers real analog energy. Built to make your tracks smoother, fuller, and vibey as hell without stacking a thousand inserts or pretending you enjoy calibrating tape machines.
The LAM16 faithfully recreates the circuit topology of the legendary Langevin AM16 — a Class-A, transformer-balanced, discrete transistor preamp similar to vintage Neve designs. This classic architecture delivers the tube-like “air,” musical harmonic richness, and analog weight that defined countless hit records from the 1960s and 70s. Originally designed by John Hall and used extensively at Capitol Records and major studios worldwide, the AM16 was the secret weapon behind the open, airy sound of legendary recordings.
Unleash the authentic warmth of analog tape with TapeZoo, a passive tape coloration plugin engineered to deliver rich harmonic textures and dynamic depth without the need for active electronics or power sources.
VSM-3 plugin delivers the beloved badass harmonic generators of Sound’s acclaimed VSM-2 Mix Satellite. The plugin even adds some features not found on the original hardware like the THD Mixer’s dry/wet control, and the ability to run the Crusher and Blender in parallel or serially. The VSM-2 sound is now an A-List option for adding character and emphasis to tracks and busses. Its M/S chops in particular open up exciting possibilities for stereo signals! For the mastering engineer, the VSM-3 provides all the unique saturation power of the VSM-2 in an economical and convenient plugin. While there are plenty of saturation/distortion plugin options available, only the VSM-3 offers the singular sonic personality of the over-built VSM-2.
Saturate your mix bus with responsive analog heat; scorch your instruments and stems with destructive distortion; enjoy the unmistakable character of tube-drive studio hardware in your DAW like never before. This is Dist TUBE-CULTURE.
