Pulsar W495 v1.2.4 MAC

GUiSEPPE | 05 June 2025 | 62MB

An accurate emulation of the Neumann w495 3-band EQ. Neumann w495 EQ’s were used to master 90% of the vinyl records manufactured from the 1970s to the 1990s. But even after this golden age, many mastering engineers still love this EQ. Why? Because the w495 has wide equalization curves that can be pushed to ridiculous levels while remaining musical. The w495 is an easy-to-use tone shaper for individual tracks. But It can also enhance presence and depth of an entire mix. But we’ve taken Pulsar W495 even further, adding all the key features you would expect from a modern EQ plugin, including visual curve editing for a fast workflow. From channel EQ to mastering EQ, Pulsar w495 is an easy-to-use powerful tone shaper, faithfully emulated from an iconic 3 band EQ.

Pulsar Primavera v1.2.4 MAC

GUiSEPPE | 04 June 2025 | 107MB

PLATFORM: (AU, VST3, 64Bit)

The real sound of spring reverberations. Six customized classic spring reverb models.

Smasher v1.5.4 MAC

GUiSEPPE | 04 June 2025 | 34.2MB

PLATFORM: (AU, VST3, 64Bit)

Smasher is an unprecedented custom modification of the classic Urei 1176 compressor circuit, a unique formula that we stumbled upon while fine-tuning other algorithms. The original 1176 compressor hardware offered a selection of four ratios, but studio engineers soon discovered that pressing them all at once led to a distorted, explosive and highly compressed sound. It’s this “All buttons in” or “British” mode that Smasher was painstakingly designed to recreate. While remaining very close to the original circuitry, the modifications we’ve built into Smasher will add definition to transients and make your tone more aggressive. We love using it to enhance the ambience in drum busses, but there are many more creative uses too. Smasher won’t work on every single track, but where it does, it works magic. Smasher excels at raw and gritty sounds, calling to mind bands like Vulfpeck, The Whitefield Brothers and The Black Keys.

Echorec v1.7.4 MAC

GUiSEPPE | 01 June 2025 | 160 MB

The Echorec is a software emulation of the iconic echo/delay unit of the same name produced by the Italian brand Binson in the 1960s. The sound of this magnetic disk delay differs from the tape delays used at the time, and has largely contributed to the audio signature of many 70s bands: Pink Floyd, The Shadows, Jimmy Page etc. Vintage Echorec devices are known for their saturation, self-oscillation, and oversound, all shaping the music produced in the 70s. They are also, however, known to be fragile and difficult to maintain.

Pulsar Massive v1.4.4 MAC

GUiSEPPE | 01 June 2025 | 104.82MB

The most complete passive EQ plugin. Musical and intuitive, a must-have for mixing and mastering.

The Legend HZ v2.0.2 MAC

GUiSEPPE | 31 July 2025 | 449 MB

(64Bit; AAX, AU, VST3)

The Legend HZ has been designed with great care and attention to detail, so that no opportunities were missed to create a software synth which is both highly usable and insanely versatile. It is at heart the product of the combined knowledge of a genre-defining composer and Synapse Audio’s experience emulating an industry-defining synthesizer. Building on the success of The Legend, we’ve teamed up with Hans Zimmer to mark new ground in analog modeling synthesis. Multiple features have been added to The Legend HZ that were previously unavailable with The Legend. These include an additional three oscillators (and with them an added polyphony setting), a modulation matrix, a 32-step sequencer, an MSEG for added modulation controls, and an expanded effects section. The Legend HZ even contains a fixed filter bank that was modeled after Hans Zimmer’s personal Vintage 914 Fixed Filter Bank, an exceptional and rare piece of hardware.

DRC v1.0.0 ARM macOS

GUiSEPPE | 28 May 2025 | 55 MB

DRC is a powerful new dynamic processor plug-in inspired by the legendary DBX 118. With a fresh perspective on the classic concept, DRC offers advanced processing capabilities that are seldom found in contemporary hardware or software, making it an essential tool for modern music production. While the DRC draws inspiration from the DBX 118, it is not a direct emulation of the original hardware. Instead, it re-imagines and expands upon the original concept, incorporating additional features to enhance its utility in various audio processing scenarios. This unique approach allows users to harness both compression and expansion across the entire dynamic range of the signal. Additionally, the processor can isolate and handle signals above or below the threshold, providing a more refined level of control.