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  • Schlap v1.0.7 WiN MAC-FLARE
    October 10th, 2021 ⚡
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    Schlap v1.0.7 WiN MAC-FLARE

    Schlap v1.0.7 WiN MAC

    FLARE | 07 August 2021 | WiN: 3.96 MB | MAC: 7.41 MB

    ..:: AU, AUv3, VST3, x64 & AAX ::..

    If you want your tracks to be energetic, in-your-face and bold, make ’em “Schlap”. Schlap is a characterful, colourful and aggressive sounding program-dependent compressor. It takes inspiration from hardware RMS compressors of the past and evolves them into a modern setting. The compressor uses a program-dependent attack and release influenced by old hardware making the compression sound characterful and dynamic. The RMS detection means that Schlap detects the average loudness of a signal, resulting in sudden short peaks being uncompressed so that they can attack hard and sound heavy hitting. Also inherently in RMS detection, there is a slight delay in compression which allows the initial, early transients to sneak through uncompressed so they keep their punch. You’ve got a safe, controlled track you think you’re happy with, but you have to ask yourself… “Does it Schlap?”


    Viewed 9495 By Music Producers & DJ´s.


  • Tape Pro v1.2.1 WiN MAC-FLARE
    October 10th, 2021 ⚡
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    Tape Pro v1.2.1 WiN MAC-FLARE

    Tape Pro v1.2.1 WiN MAC

    FLARE | 07 August 2021 | WiN: 30.1 MB | MAC: 245 MB

    ..:: AU, AUv3, VST3, x64 & AAX ::..

    Endless Creativity. Tape Pro is a multi-effect tape audio plugin that introduces warmth, frequency shaping, modulation, noise and delay. Whether you want to accurately replicate a microcassette tape running at 1.2cm/s, or you want to drive a mastering grade tape machine with strange distortion shapes into a high feedback delay engine, Tape Pro is the plugin for the job. Tape Pro has a module for each sound feature of tape. The first of these in the signal chain is the Saturation module. The variety of distortion types to choose from turn Tape Pro into a valuable creative tool – get the exact saturation sound you want with; Tape, Digital, Rectify, Half-Rectify, Sine and Smooth. Next, the Response module uses a variety of different impulse responses recorded from real tape machines to recreate the authentic character to its sound. Our collection of responses from 12 different tape machines will have you covered; Cassette Type 1, Type 2 and Type 4, Worn, New and Mod Copi-Delay, Master SA812, Master TM15, Microcassette at 1.2cm/s and 2.4cm/s, Semi-Pro RB77 7.5ips and 15ips.


    Viewed 9515 By Music Producers & DJ´s.

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  • Smoov v1.0.9 WiN MAC-FLARE
    October 10th, 2021 ⚡
    Categories:

    Smoov v1.0.9 WiN MAC-FLARE

    Smoov v1.0.9 WiN MAC

    FLARE | 07 August 2021 | WiN: 3.95 MB | MAC: 7.20 MB

    ..:: AU, AUv3, VST3, x64 & AAX ::..

    Is a chaotic track starting to get to you? Maybe you should make it a little more “Smoov”. Smoov is a soft, clean and transparent sounding program-dependent compressor. It takes inspiration from hardware compressors of the past with a focus on peak detection, meaning that it can quickly and effortlessly react to incoming signals and blend them in with the surrounding audio field. When a busy track needs taming, Smoov softly settles your tracks. The compressor uses a program-dependent envelope influenced by old hardware making the compression sound smooth and dynamic. The peak detection means that Smoov detects the actual amplitude of a signal, resulting in an extremely fast response to tame and control anything that is thrown at it. You’ve got a big, groovy track you think you’re happy with, but you have to ask yourself… “Is it Smoov?”


    Viewed 8693 By Music Producers & DJ´s.


  • Perception v1.0.27 WiN MAC-FLARE
    September 21st, 2021 ⚡
    Categories:

    Perception v1.0.27 WiN MAC-FLARE

    Perception v1.0.27 WiN MAC

    Team FLARE | 07 July 2021 | WiN: 8.49 MB | MAC: 18.4 MB

    ..:: HAPPY 1ST BiRTHDAY ::..

    Better? Or just louder? Ever wonder, “how loud should my music be?” Many people prefer louder music – that’s how the loudness wars started – but too much “loudness processing” can do more harm than good… Squashed, dull, flat sound – or even pumping and distortion. Now, with Perception, you can zero in on your music’s loudness “sweet spot”.


    Viewed 12044 By Music Producers & DJ´s.


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