Ample Guitar SC aim to bring a Fender Stratocaster 50th Anniversary Guitar sound to your studio.
Fender Rhodes Mrk1 Extended
The Silk Rhodes is a recorded 1975 Rhodes Mark1 captured with a boutique vintage signal chain. It was outfitted with per-tonebar piezo pickups to allow for a fuller sound. And the sounds were triggered by us plucking, bowing or hitting the tines inside the rhodes.
The VLUX 210 P10R Cab Pack is based on a Fender Custom Vibrolux Reverb Amp loaded with the original Jensen P10R 10” Alnico speakers. The tone is a wonderful mixture of full low-mids, complex midrange with character, and an airy top end with a touch of Alnico raspiness for great touch sensitivity, chime, and clarity. This pack features 114 Single Mic captures and 14 multi-mic Mixes taken with eleven hand-selected microphones for a total of 128 IRs.
A unique selection of loops, chords, effects and one shots recorded using a collection of Fender electric and baritone guitars processed through numerous effects pedals.
Recorded with round-wound strings to get a fat and dirty sound,PRE-BASS also features a vast and incredibly intuitive set of playing techniques. The level of expression makes for a truly authentic and fun playing experience, and lends itself to a wide range of styles, from reggae, to pop, rock, hip-hop, R&B and much more. PRE-BASS is fully playable in real time, with almost all articulations (including mutes, harmonics, hammer-ons, pull-offs, grace notes and more) available without key switches. What’s more, PREBASS makes exceptional use of the KONTAKT interface, displaying a fretboard overview with articulations dynamically updated as you play. With over 4,000 samples covering all four strings, nine velocity layers, and advanced scripting that makes playing both highly intuitive and stunningly authentic, it’s easy to see why the pros choose PRE-BASS.
Ample Bass P III aim to bring the Fender Precision Bass sound to your studio.
We took a Fender Telecaster and a Les Paul and recorded octave tremolos across their full range. What you get when you spread this across a keyboard and start playing chords is an absolute monsoon of lush textures and a torrential rainstorm of nanoscopic details that beautifully weave in and out. This is absolute ear candy. Octave tremolos are when you play the same note, an octave apart, in quick succession. For example, cycling between A3 and A4 rhythmically and dynamically. We’ve drenched these samples in effects [there are also clean settings so don’t worry if you want to add your own]. The result is a shimmering, sometimes even organ-like, swelling and evolving soundscape that’s as wide and as full as an orchestra. So press download, turn off the lights, put your headphones on, close your eyes and get Electric Monsoon and Electric Rainunder your fingertips.
