IIEQPro is, to many devoted fans, the best equalizer plugin out there. If you had only one choice, this would be the one you would take with you on the proverbial island.
The original KLEIN & HUMMEL UE-100® EQs are extremely rare and expensive. But Rafa Sardina – who has 12 Grammy wins and 35 nominations – owns 10 of them! What is so special about this weird and wonderful device? For some time, hardware equalizers had to each be developed with a specific purpose in mind, requiring engineers to combine different EQ types in one signal chain in order to achieve the frequency response they needed on any given source. They would have to accept the necessary evil of the resulting phase and intermodulation distortion when treating these sounds. When released in 1961, the Klein & Hummel UE-100 Universal Equalizer changed all that. This all-tube minimum phase EQ used six discrete filter modules to create a collection of band-pass filters that could create dynamic curves for any application from source mixing to vocal tracking to mastering. While some earlier UE-100s were used to transparently filter out junk low and high frequencies when printing to tape and vinyl, it quickly became commonplace to take advantage of the unique pushbutton frequency selection; this provided an easy way to not only recall settings, but also alter them on the fly while recording a performance. The UE-100 became known for its musically warm curves and precise response, offering a myriad of possibilities for treating frequencies by boosting and/or cutting across the spectrum to shape sounds “like a Pultec on steroids.”
The Passive-Active Pack is a collection of three very different equalizers, each with its own character and quirks. Together they make an excellent secret-weapon analog-style EQ toolbox. The Passive and Active equalizers emulate real workhorse units, used on thousands of recordings from past to present. The Focusing Equalizer, an original creation of Softube’s, combines these with analog saturation and a novel workflow, to give you musical results, and a wonderful sound every time.
The Trident A-Range equalizer is a legendary piece of equipment. Only thirteen A-Range consoles were ever made, but it remains a holy grail for sound engineers and producers around the world due to the list of classics that were originally recorded on the A-Range — David Bowie’s Ziggy Stardust, records by Queen, Elton John, Rainbow, Metallica… the list goes on. Sweet but edgy sound, and organic, musical interactions between the bands make this a more powerful companion than it may seem. Balance guitars, vocals, drums, and much more, with the rare and raw sound of Trident.
Imagine being in a luxury, professional studio full of vintage gear including legendary compressors and EQs, classic Marshall amps and cabinets, pedals, and mics and being offered anything you need to configure exactly how you want it to produce the very best guitar tones. Built on Softube’s legacy of modeling analog gear with unmatched accuracy, Amp Room is the modern platform designed with the discerning professionals in mind to be a continuously growing pro audio system of everything you need to create high-quality, authentic, and incredibly realistic guitar and bass sounds. As the producer with all that gear at hand, you’re the master of puppets, mixing and matching all the gear you need to create mix-ready tones just like you do in a physical studio. You can also process other sound sources, such as drums, vocals, and synth tracks. All the gear you chose from your visit to that luxury studio is configured to your exact specifications and ready to use.
Fat, tube-driven, passive equalizers can be so much more than functional tools. They impart character and style to any source; drums, synths, vocals, guitars, strings, brass… you name it! As such, they’ve been sought after in top-of-the-line international studios for decades, and their sound enriches the textures of thousands of classic records, in every genre you can imagine. Now combined into a single plug-in, which not only improves the workflow but allows for a revitalized approach to the sonics using our latest digital signal processing technology, the Tube-Tech Equalizers Mk II are a huge step forward for an already phenomenal pair of processors.
Included: EQ 601, Compressor 260 & Compressor 276.
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