Electronic Sound is the best electronic music magazine in the world. In-depth coverage of the current scene, the pioneers, the machines, and the current thinking of the electronic music world.
We’re marking the return of The Art Of Noise with this month’s Electronic Sound cover story. Or The Art Of This as they’re now calling themselves. And as well as bringing you the very first interview with the band under this name, we’re bundling the magazine with an exclusive silver vinyl seven-inch featuring the new group’s debut recordings. More than 25 years on from The Art Of Noise’s last studio album, three of the five founding members – JJ Jeczalik, Gary Langan and Paul Morley – are rebooting the group as The Art Of This. They’re in fantastic form for our interview, telling tales from their early days and talking about going back to their avant-garde roots. They discuss Morley’s manifesto for the rejuvenated unit, which also includes former ZZT label manager Ian Peel, and describe themselves as “a sequel” to the original group. They claim there is another offshoot too, The Art Of That, which they say they’ll use “in shadowy ways”. True to form for the oddball electronic maestros, you should expect the unexpected.
Electronic Sound is the best electronic music magazine in the world. In-depth coverage of the current scene, the pioneers, the machines, and the current thinking of the electronic music world. We are marking the return of CABARET VOLTAIRE with the latest Electronic Sound cover story and we’re combining the magazine with a green vinyl Cabs seven-inch offering brilliant live versions of ‘Nag Nag Nag’ and ‘Spies In The Wires’. This is a limited edition pressing and is the very first physical release by the recently reformed band.
We’re walking the dark and gritty streets of post-punk Sheffield for this month’s Electronic Sound cover feature detailing the formative years of CLOCK DVA. We’re bundling the magazine with a truly fantastic seven-inch from the electro-industrial agitators too. Our story starts with Clock DVA main man Adi Newton in a band called The Future, alongside soon-to-be members of The Human League. Once Newton got DVA rolling, his new group forged close associations with Cabaret Voltaire and Throbbing Gristle, quickly matching TG’s reputation for fearsome live sets. By the time they’d played three gigs, they’d been banned from three venues. The focus of our piece is on the first two DVA albums – released in late 1980 and early 1981– with fights, drugs, porn, constructivism, cricket, a missing person and a tragic death all part of the saga. It really is a rollercoaster read.
Electronic Sound is the best electronic music magazine in the world. In-depth coverage of the current scene, the pioneers, the machines, and the current thinking of the electronic music world.
Electronic Sound is the best electronic music magazine in the world. In-depth coverage of the current scene, the pioneers, the machines, and the current thinking of the electronic music world.
Suzanne Ciani’s long and intense connection with modular synthesis started after meeting Don Buchla in the late 1960s. She soon became obsessed with the Buchla 100 and 200 systems, taking a particular interest in how the voltage-controlled quadrophonic capabilities enabled her to move sounds around a room. More than five decades on, while Ciani has utilised a huge range of synths during her career, the Buchla is still her main instrument of choice. She has produced some truly magical music over the years, earning no less than five Grammy nominations along the way, but it’s not enough to describe her work as being in another league. It’s also from another dimension.
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