Electronic Sound is the best electronic music magazine in the world. In-depth coverage of the current scene, the pioneers, the machines, and the current thinking of the electronic music world.
Ahead of a brilliant new album landing in September, we have the fabulous FAITHLESS on the cover of the latest Electronic Sound, and we’re combining the issue with an exclusive red vinyl seven-inch featuring two almighty groovy tracks remixed by the band’s co-founder Sister Bliss. We think this is one of the most uplifting records we’ve ever released. Bliss and her production partner Rollo have called the album ‘Champion Sound’ and it sees Faithless stepping back into the limelight following the death of their singer Maxi Jazz in 2022. It’s been a very emotional time for the pair, as they note in our in-depth interview, but they have now crafted what is probably the best Faithless long-player since ‘Reverence’, their 1996 debut. The vinyl version is a double set, with the tracks on each of the four sides seamlessly sequenced into exhilarating sonic stories. The lyrics are sharp too, as we’ve come to expect from a group that’s never been afraid to balance the hedonism of club hits like ‘Insomnia’ and ‘God Is A DJ’ with some deep and serious thinking.
Electronic Sound’s final cover star of 2024 is the legendary Jean-Michel Jarre and we are bundling the issue with a limited edition green vinyl seven-inch featuring live versions of ‘Oxygène 4’ and ‘Équinoxe 7’, two of the synth superstar’s biggest and best-known tracks. Jean-Michel Jarre’s impact on electronic music during the last 50 years is huge, not least because of his thrilling live performances. His concerts are the focus of our cover story, with Jarre detailing how his shows have evolved over the decades and guiding us through some of the events he’s most famous for. His picks include Paris, Beijing and Houston, plus his Docklands sets in London in 1988. Expect highly entertaining tales of epic staging and equally epic rainfall, as well as several billion lasers. Remarkably, at the age of 76, there’s no sign of Jarre starting to slow down yet, with more live extravaganzas scheduled for 2025. All power to his VCS 3, we say.
Red alert!! Ahead of a UK tour to mark the 45th anniversary of his seminal ‘Telekon’ album, we’re delighted to have GARY NUMAN on the cover of this month’s Electronic Sound. We’re bundling the issue with an awesome red vinyl seven-inch too, which is an exclusive release featuring two tracks from ‘Telekon’ selected for us by the great man himself. Gary Numan’s ‘Telekon’ album was a stark and futuristic landmark of electronic music, but it was also the sound of a young man struggling to come to terms with his sudden and often overwhelming fame. At one point in 1980, with three records sitting in the UK Top 20, everybody wanted a piece of him. ‘Telekon’ is one of the main topics of our lengthy and detailed conversation with Numan, in which he talks candidly about death threats, stalkers, plane crashes, ghosts and much more, explaining what it was really like to live with the machines while the world lost its head all around him. It’s a hugely entertaining read, both for ardent Numanoids and curious onlookers alike.
Electronic Sound is the best electronic music magazine in the world. In-depth coverage of the current scene, the pioneers, the machines, and the current thinking of the electronic music world.
BRIAN ENO and BEATIE WOLFE are gearing up for the release of their third collaboration of 2025, so it’s fantastic to have them on the cover of the latest Electronic Sound. We’re bundling the magazine with a lush purple vinyl ENO & WOLFE seven-inch too, one side of which features a track previously only available in Japan. Brian Eno’s partnership with composer and conceptual artist Beatie Wolfe, who Vice called “a musical weirdo and visionary”, has already given us two albums this year. Another is coming out next month. All three records – ‘Luminal’, ‘Lateral’ and the forthcoming ‘Liminal’ – blend dreamy, mesmeric and opulent ambient atmospherics with snatches of hushed Americana. The results are alluring and fascinating, as is our interview with the pair, which sees them talking about everything from the joys of hauling abandoned speakers out of skips to the very idea of creativity itself. Exploring the zone where music, art, science and technology come together, it’s a perfect cover story for Electronic Sound.
This is something special. With an exciting new boxset in the shops any day now, the latest Electronic Sound cover stars are the magnificent Throbbing Gristle and we’re bundling the issue with a limited edition red vinyl seven-inch featuring two previously unreleased TG tracks, including one of the last two recordings the industrial pioneers ever made. We’re looking back over the story of Throbbing Gristle this issue, interviewing the surviving members of the band and others associated with TG. Genesis P-Orridge, Cosey Fanni Tutti, Chris Carter and Peter “Sleazy” Christopherson ripped up all the rules, both sonically and visually, both as a live act and a recording unit. They are widely recognised as the prime movers of industrial music, but their influence and impact stretches way beyond any particular genre. Their early gigs attracted everybody from acid-fried hippies and spotty anarcho-punks to oddball alt-funkateers and hot-wired electronics freaks. There has never been another group even remotely like Throbbing Gristle.
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