LoudBody v1.0.7 MAC
MORIA | 02 April 2026 | 11.1MB
Maximum Loudness. Zero Compromise. From bedroom beats to professional masters — make everything you create hit harder and sound louder, instantly.
Viewed 5552 By Music Producers & DJ´s.
Maximum Loudness. Zero Compromise. From bedroom beats to professional masters — make everything you create hit harder and sound louder, instantly.
CGII is comprised of two uniquely complementary dynamics enhancement sections, a new True Peak Limiting stage, DC blocking and dither with LUFS/true peak metering via spiffy tube filament displays, all operating at up to 16x over-sampling (or none at all – depending on your tastes). The design prioritizes musical integrity and ease of use, with the ability to add effective loudness, weight and definition without diminishing spatial depth and visceral impact the way traditional dynamics processors often do. Use CGII to make your masters loud without losing the clarity, density and heft of the original mix. Even if you are working with a mix that is already loud, you can give it a little extra, without adding unpleasant distortion and without flattening out the material and sucking the life out of the low end. At the same time you can control the true-peak level of the program to ensure that there are no inter-sample overs.
Bass Focus is a low frequency enhancer for mixing and mastering. It helps bass to sound fuller, louder and more powerful, on all speaker systems; without sacrificing headroom. And on smaller speakers, it reveals low-end which would otherwise be lost. Helping your music to sound its best, even on mobile phones and portable devices. The plugin can be used as a channel insert to enhance individual instruments, or applied to theentire mix. It can add power to 808s, solidify kick drums, thicken synths and bass guitars, and much more. At the mastering stage, it can improve mix translation and presence, thicken the low-end, and recover headroom in problem mixes with too much sub.
CGII is comprised of two uniquely complementary dynamics enhancement sections, a new True Peak Limiting stage, DC blocking and dither with LUFS/true peak metering via spiffy tube filament displays, all operating at up to 16x over-sampling (or none at all – depending on your tastes). The design prioritizes musical integrity and ease of use, with the ability to add effective loudness, weight and definition without diminishing spatial depth and visceral impact the way traditional dynamics processors often do. Use CGII to make your masters loud without losing the clarity, density and heft of the original mix. Even if you are working with a mix that is already loud, you can give it a little extra, without adding unpleasant distortion and without flattening out the material and sucking the life out of the low end. At the same time you can control the true-peak level of the program to ensure that there are no inter-sample overs.
Today, we have plenty of tools at our disposal now to make our music loud, but that’s not always a good thing. It’s very easy, for example, to do more harm than good to your mix if you don’t know what you’re doing. In this dynamic loudness video tutorial series, studio guru Larry Holcombe teaches you how to generate loudness in your tracks without losing the dynamics that give it so much life in the first place! You’ll learn several techniques throughout the course that you can use individually or in concert to maintain and even enhance that critical component in your tracks, even as the loudness increases. These dynamic loudness videos are for those new to the concept of loudness.
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